{"title":"All Acoustics","description":"","products":[{"product_id":"manuel-ramundo-classical-guitar","title":"Manuel Ramundo Classical Guitar","description":"\u003cp\u003eManuel Raimundo have been making guitars in Spain since 1964, with this being a nice example from 1997\u003cbr\u003eMade to a very high quality, it is constructed from the usual Rosewood back and sides with a Cedar top.\u003cbr\u003eThis is a bit of a case queen, with barely a mark on it.\u003cbr\u003eA far cry from the beginner nylon string acoustics that so many of us learned to play on, this has a rounded a clear tone that sounds really great.\u003cbr\u003eA very well put together Classical Guitar, this may well fill the gap in your collection…\u003c\/p\u003e","brand":"Manuel Raimundo","offers":[{"title":"Default Title","offer_id":52319824281939,"sku":"#140","price":995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/manuel-ramundo-classical-guitar-7.jpg?v=1762517356"},{"product_id":"archived-2020-national-rare-steel-body-style-0-resonator-ohsc","title":"*ARCHIVED* 2020 National RARE Steel Body Style 0 Resonator + OHSC","description":"\u003cp\u003eEstablished in 1928 by George and the Dopyera siblings, the National String Instrument Corporation produced a try-cone guitar as well as introducing a new guitar with a single resonator cone conceived by John Dopyera. Through legal wrangling the company established itself and produced a wide variety of metal bodied single and tri-coned guitars that have become iconic, inspiring countless imitators. Production ceased in 1941 with the advent of America’s entry into World War 2. \u003cbr\u003e\nThis is a very special guitar. Unlike a standard national metal body resonator which are made from brass, this is constructed of steel having been custom ordered. As you can see from the pictures, though it has been played, there is very little in the way of signs of use and the guitar has retained that wonderful sheen.\u003cbr\u003e\nThe neck is finished in matt lacquer and is a very comfortable C profile. Again the fretboard and frets show no real sign of use.\u003cbr\u003e\nThe guitar comes with hardshell case \u003cbr\u003e\nBe it Lola, Romeo and Juliet or Jitterbug Swing, we’ve all heard a resonator at some stage. Its distinctive percussive quality and almost reverb tank like tone give this guitar such a unique voice that's a must for any guitar collection.\u003cbr\u003e\nEveryone has to play a resonator at some point and its a must for the curious and those in search of its unique voice…\u003c\/p\u003e","brand":"National","offers":[{"title":"Default Title","offer_id":52320098451795,"sku":"C73033","price":3250.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc02215_b6c5ee45-40c8-42e9-a34e-a9651d3dac3e.jpg?v=1762521739"},{"product_id":"1989-gibson-chet-atkins-ce-ohsc","title":"1989 Gibson Chet Atkins CE + OHSC","description":"\u003cp\u003eDeveloped by Chet Atkins and luthier Hascal Haile, Gibson released the CE (Classical Electric) in 1982. 25” scale length, solid mahogany chambered body with Cedar or spruce top, it soon became popular amongst pop and rock musicians such as Sting and Mark Knopfler.\u003cbr\u003e\nThe guitar is in great condition. There are a few marks here and there but nothing too substantial. The guitar has been very well cared for. There are a few marks near the bridge.\u003cbr\u003e\nThe neck too is in great condition. The rosewood fretboard is free of any wear and there is plenty of life left in the original frets. The CE has a 1 ⅞” wide nut as opposed to the 2” width which is standard for classical guitars. \u003cbr\u003e\nElectrically all has been left untouched and is in full working order.\u003cbr\u003e\nThe bridge is in good shape with little sign of wear.\u003cbr\u003e\nThe guitar cokes with its correct Brown tolex hardshell case.\u003cbr\u003e\nAn innovative solution to the problem of amplifying nylon stringed instruments, this guitar is a lot of fun to play. The sound is tighter than a hollow body would produce as you expect but still retains the glorious warmth and punch, ideal for some Bossa. \u003cbr\u003e\nThis is a testament to Chet Atkins’ constant search for tonal improvement. Sometimes a solid bodied nylon string guitar is what you need…\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":52320098845011,"sku":"C73084","price":2495.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc03519.jpg?v=1762521743"},{"product_id":"1955-gibson-l5-ohsc-bernie-marsden-collection","title":"1955 Gibson L-5 + OHSC - Bernie Marsden Collection","description":"\u003cp\u003eFrom the Bernie Marsden collection, this guitar was purchased in Cheltenham a few years ago after Bernie received a tip off from a friend. This guitar is featured on page 319 of Bernie's hardback book 'Tales of Tone and Volume' a copy of which will be included with this sale.\u003cbr\u003e\nInitially conceived as a member of the Mandolin family alongside the F5 mandolin (as the popularity go Mandolin orchestras was waning), the L5’s enduring popularity was due in no small part to the great jazz guitarist Eddie Lang who pioneered the use of the guitar in the dance band rhythm sections, finding that the Gibson archtop could easily keep up with the rest of the band. Its elegant Cremona Brown finish and f holes gave the guitar a decidedly violin-like look and set a precedent for competitors and the company themselves that still exist to this day.\u003cbr\u003e\nThis is a superb example especially considering its over 80 years of age. The sunburst finish has a few marks and dings though none of this really detracts from the overall look of the instrument.\u003cbr\u003e\nPickguard is in good condition though it has started to gas. Its currently being kept away from the guitar to preserve the finish.  \u003cbr\u003e\nThe chunky C profile neck with a bound fretboard and parallelogram mother of pearl inlays feels instantly comfortable. The script logo headstock has the now iconic flowerpot inlay emblazoned upon it, framed by the continued binding. The Kluson sealfast tuners still work very well. There are a few patches of wear though this isn’t extensive. The frets have some life left in them.\u003cbr\u003e\nThe guitar comes with a Lifton hardshell case that, like the guitar, is in exceptional condition.\u003cbr\u003e\nThe L5’s reputation was built on being able to keep up with a horn section and this one is no exception. It has an authoritative voice acoustically that has a wonderful three dimensional quality that’s so evocative of the period.\u003cbr\u003e\nThe definitive archtop, this L5 would make a stunning addition to anyone’s collection…\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":52320099139923,"sku":"A20108","price":12995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc04298.jpg?v=1762521748"},{"product_id":"archived-1972-martin-d-18-hsc","title":"*ARCHIVED* 1972 Martin D-18 + HSC","description":"\u003cp\u003eFollowing in the footsteps of the 18-series orchestra models that Martin had successfully launched in the early part of the 20th Century, the D-18 came along in 1931 as part of Martin's new Dreadnought (named after the enormous 1906 battleship HMS Dreadnought) range of guitars. Apart from some minor changes to the internal bracing in the post war years, the D-18 has remained in production virtually unchanged, and has been the go to guitar for countless iconic musicians.\u003cbr\u003e\nThis example hails from 1972, and except for a very nicely done re-fret and the addition of an under-saddle pickup it is all original. It's in nice condition too, with some play related wear but nothing serious. \u003cbr\u003e\nConstruction comprises of a solid spruce top, with solid mahogany back, sides and neck. The fingerboard and bridge plate are rosewood. \u003cbr\u003e\nNo cracks and original pickguard is still intact so this is all very good!\u003cbr\u003e\nWhen it comes to sound we are firmly in classic Martin dreadnought territory here, with terrific articulation, balance, and projection. It handles the low frequencies with ease, and the top end is bright and open. Playability is excellent too, the neck has a comfortable medium C profile and the action is reasonably low. \u003cbr\u003e\nThe guitar comes with a non original hard shell case.\u003cbr\u003e\nA nice early 70's Martin, in nice condition, what's not to like? If a really good dreadnought that's ready for both the stage and the studio is on your wishlist, look no further...\u003c\/p\u003e","brand":"Martin","offers":[{"title":"Default Title","offer_id":52320101826899,"sku":"C73156","price":2995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc06569.jpg?v=1762521765"},{"product_id":"1930s-regal-model-27-the-michigan-branded-resonator-hsc","title":"1930s Regal Model 27, The Michigan branded resonator + HSC","description":"\u003cp\u003eThe sound of the Delta, Regal resonators are as much part of the rich tapestry of the blues as anything produced by National during this period. As with so many manufacturers, Regal distributed instruments under a plethora of names including this example which was distributed under the Michigan name to the UK. Peter Green used one live during the Fleetwood Mac days. This particular model is the same as a Regal Model 27.\u003cbr\u003e\nThe guitar is in good condition. The finish has escaped too much fading and though there are scratches and scrapes (more so on the sides than anywhere else) these do not detract from the overall look of the guitar. \u003cbr\u003e\nThe neck has a very chunky V profile that manages to still be very comfortable. It's been re-fretted and there is plenty of life in the current frets. It seems that originally this guitar had a 10th fret dot rather than on the 9th fret, this has been corrected, probably at the factory. The logo is still present and there are no signs of any repairs.\u003cbr\u003e\nThis guitar has a sound well, a feature designed to reenforce the body of the guitar and to focus the sound.   \u003cbr\u003e\nThe hardware is in great condition showing very little signs of any wear. The resonator is in great condition and working well.\u003cbr\u003e\nThe guitar comes with a very old hardshell case.\u003cbr\u003e\nWithout the more metallic clang of a brass bodied resonator, this is still a distinctive and immediately recognisable tone with the added warmth of the wooden body. Its has a the percussive, almost reverb tank quality to the tone thats a joy to play.\u003cbr\u003e\nAn iconic sound and surely a bucketlist instrument. Grab this before its gone…\u003c\/p\u003e","brand":"Regal","offers":[{"title":"Default Title","offer_id":52320967622995,"sku":"1896484","price":1750.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc00329.jpg?v=1762530910"},{"product_id":"1972-gretsch-model-6003-folk-ohsc","title":"1972 Gretsch Model 6003 Folk + OHSC","description":"\u003cp\u003eA Model 6003 Folk from 1972? \u003cbr\u003e\nGuitar is in great shape having seemingly lived an easy life. The spruce top shows very little signs of use as so the back and sides. There are a few bumps and scratches but nothing too substantial. \u003cbr\u003e\nThe neck too is in great shape. The fretboard shows very little signs of use and the frets have plenty of life left in them.\u003cbr\u003e\nHardware and bridge look in good condition without too much in the way of tarnishing or other damage. The bridge has been modified to correct the intonation. \u003cbr\u003e\nThe guitar comes with it correct hardshell case\u003cbr\u003e\nAs you'd expect from an OM style guitar, there is plenty of projection with a clarity that's ideal for fingerpicking intricacies but stands up to some strumming very well. The modest body size makes it a joy to play with a slim neck lending a more electric guitar feel.\u003cbr\u003e\nWe all need one in our arsenal, and this Gretsch would make a welcome addition to any.\u003c\/p\u003e","brand":"Gretsch","offers":[{"title":"Default Title","offer_id":52320967885139,"sku":"C73083","price":995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1972-gretsch-6003-09.jpg?v=1762530915"},{"product_id":"2021-epiphone-frontier-ft-110-ohsc-candy","title":"2021 Epiphone Frontier FT-110 + OHSC + Candy","description":"\u003cp\u003eAs the name suggests, The Epiphone Frontier formed the vanguard of Gibson’s acoustic aspirations of the late 50s and early 60s. \u003cbr\u003e\nFollowing Gibson’s purchase of the venerable New York marque in 1957, Epiphone was utilized as a proving ground for some of Kalamzoo’s more adventurous designs. The Frontier was Gibson’s foray into the Dreadnought market, square shouldered, 25.5” scale, Spruce and Maple construction. No Frontier, no Humminbird or Dove. \u003cbr\u003e\nThis is a stunning example in as new condition. Comes with an Epiphone hardshell case and sounds stunning. \u003cbr\u003e\nA word from Gibson… \u003cbr\u003e\nA Rare Epiphone Acoustic, Once Again Made in the USA\u003cbr\u003e\nGibson™ manufactured the original Epiphone Frontier in its Kalamazoo factory from 1958 until 1970. Now the FT-110 Frontier is being made in the USA once again, and is proudly handcrafted in Bozeman, Montana, by Gibson’s finest acoustic luthiers. Featuring a solid Sitka spruce top and solid figured maple back and sides, Indian rosewood fretboard, traditional hand-scalloped X-bracing, gold-plated Gotoh Keystone tuners, the iconic \"lariat and cactus\" themed pickguard, and a 25.5” scale length for a powerful tone. It comes equipped with an L.R. Baggs VTC pickup, so it is stage and studio-ready, right out of the included hardshell case. Available in Antique Natural and Frontier Burst.\u003cbr\u003e\nBody\u003cbr\u003e\nBody Style - Square Shoulder\u003cbr\u003e\nBody Shape - Dove\u003cbr\u003e\nBody Material - Solid Figured Maple\u003cbr\u003e\nTop - Solid Sitka Spruce\u003cbr\u003e\nBack - Solid Figured Maple\u003cbr\u003e\nSide - Solid Figured Maple\u003cbr\u003e\nBracing - Traditional hand-scalloped X bracing\u003cbr\u003e\nBinding - Multi-ply Top and Back\u003cbr\u003e\nBody Finish - Gloss Nitrocellulose Lacquer\u003c\/p\u003e\n\n\u003cp\u003eNeck\u003cbr\u003e\nProfile - Rounded \"C\"\u003cbr\u003e\nScale Length - 647.7 mm \/ 25.5 in\u003cbr\u003e\nFingerboard Material - Indian Rosewood\u003cbr\u003e\nFingerboard Radius - 304.8 mm \/ 12 in\u003cbr\u003e\nNeck Material - Mahogany\u003cbr\u003e\nFret Count - 20\u003cbr\u003e\nFrets - Legend\u003cbr\u003e\nNut Material - Bone\u003cbr\u003e\nNut Width - 43.815 mm \/ 1.725 in\u003cbr\u003e\nInlays - Mother of Pearl Slotted Rectangle\u003cbr\u003e\nJoint - Compound Dovetail Neck-to-body Joint; Hot Hide Glue\u003c\/p\u003e\n\n\u003cp\u003eHardware\u003cbr\u003e\nFinish - Gold\u003cbr\u003e\nBridge - Indian Rosewood; Belly Up\u003cbr\u003e\nSaddle Material - Bone\u003cbr\u003e\nTuning Machines - Gotoh Keystone\u003cbr\u003e\nPickguard - Imitation Tortoise with Engraved Lariat and Cactus Graphics \u003cbr\u003e\nTruss Rod - Adjustable\u003cbr\u003e\nTruss Rod Cover - \"Bullet\" shaped; 2-layer (B\/W)\u003cbr\u003e\nBridge Pins - Tusq\u003cbr\u003e\nStrap Buttons - Cream\u003c\/p\u003e\n\n\u003cp\u003eElectronics\u003cbr\u003e\nUnder Saddle Pickup - LR Baggs VTC\u003cbr\u003e\nControls - 1 Volume, 1 Tone, Soundhole-mounted\u003cbr\u003e\nOutput Jack - 1\/4\" Endpin\u003c\/p\u003e","brand":"Epiphone","offers":[{"title":"Default Title","offer_id":52321706377555,"sku":"C73451","price":1995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/2021-epiphone-frontier-ft-110.jpg?v=1762533731"},{"product_id":"1955-gibson-j-200-ohsc","title":"1955 Gibson J-200, Sunburst + OHSC","description":"\u003cp\u003e‘Bigger is Better’ was a mantra that permeated all aspects of Gibson’s top-flight guitars in the 1930s. Locked in a super-sized battle with Epiphone, the Super 400 took on the Emperor and Kalamazoo introduced the Super Jumbo to meet a challenge from the East as Martin introduced their new Dreadnought design. \u003cbr\u003e\nThe ‘Super Jumbo’ 200 took some aesthetic cues from the L5 and was initially built using Spruce and rosewood in a double x-braced design. Post-war, maple was used for the back and sides as well as a simple single cross brace. The guitar of choice for a plethora of artists, its a truly iconic guitar with an unrivaled tone.\u003cbr\u003e\nThis is a great example, actually one of the best we have seen. It's undoubtedly been played as the top seems to attest but hasn’t faded too much and the burst is still incredibly vibrant. This goes for the back and sides too where the finish really brings out the subtle undulations of the maple. There is some wonderfully checking all over too, adding to the character. \u003cbr\u003e\nThe neck is in good shape too with some minor signs of wear which is the same on the fretboard. The original frets have some life left in them and don’t show signs of excessive wear. The headstock is good too with no signs of repairr. The tuners are correct and work well. There is no sign of neck reset or any signs of repairs.\u003cbr\u003e\nThe saddle and bridge are correct. The pickguard is in good shape.\u003cbr\u003e\nThe guitar comes with its correct Lifton case, with the Lifton logo intact inside the case. It has an improvised handle on it at present and a broken lid hinge.\u003cbr\u003e\nThe 25.5” scale of this guitar gives it a presence that can be lacking in other Gibson acoustics. The extra tension helps chords ring out and gives the guitar a fantastic dynamic range that reacts well to either a light touch or a heavier hand. There is no doubt as to why these were so popular with a wide range of musicians.\u003cbr\u003e\nA rare bird indeed, this would make an excellent addition to any collection.\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":52321707622739,"sku":"C73529Klarna","price":10995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc04372.jpg?v=1762533754"},{"product_id":"1949-gibson-l-5c-ohsc","title":"1949 Gibson L-5C + OHSC","description":"\u003cp\u003eBeautiful Gibson L-5C from 1949 in a wonderfully aged Cremona Brown finish that perfectly accentuates the fine carve to the Spruce top and highlights the figure to the Maple back, sides and neck. An excellent example of Gibson heritage, the guitar is testament to the quality of the high-end instruments Gibson was producing as the post-war era met the 1950’s.Introduced in 1922 and developed by Lloyd Loar the L-5 was the first guitar by any manufacturer to combine a carved top and back, f-holes, an adjustable truss rod and a neck that joined the body at the 14th fret. Part of the Master Model series of instruments the L-5 would remain the flagship guitar for Gibson until the release of the Super 400 in 1935. Early examples had a 16-inch body with the neck joining at the 14th fret, constructed from two sections of maple with a dark center seam, the \"Snake head\" headstock design was bound and inlaid with a diagonal \"The Gibson\" logo and Gibson's iconic flowerpot motif in pearl. The finest Spruce was reserved for the soundboard and the backs and sides were a mixture of Maple and Birch. As a high end, professional grade instrument the L-5 would undergo many changes in the following years, constantly evolving as players' needs necessitated evolving from the original 16-inch wide, non-cutaway design, through to the 17-inch \"Advanced\" model in 1934 to the use of the longer 25-½ inch scale length that became a permanent feature in 1938, on to the Venetian cutaway equipped L-5 Premier in 1939 and finally the L-5 went electric with L-5CES in 1951. Shipped in 1949, this example would have been one of the earlier L-5's to bear the L-5C title with the evolution from L-5 Premier happening in 1948. Featuring a 17” body with uniformly grained Spruce top, large bound F holes and 5-ply edge binding, figured curly Maple back, rims and neck. Internally as expected the guitar has parallel spruce top braces. The two piece Maple neck has a dark center lamination and unusually for an L5 a bound Rosewood fingerboard. It was during this period that Gibson suffered an Ebony shortage and other examples of Rosewood L-5s can be seen in 1948 and 1949. The neck otherwise follows Gibsons post-war convention with a bound headstock that features an intricately inlayed pearl flowerpot inlay and large Gibson script logo that had recently been discontinued and replaced by the then-new, now-familiar modern block logo on some models. The fingerboard is inlayed with large Pearl block inlays. The tuners are gold-plated Kluson Sealfasts with translucent celluloid Keystone buttons, a feature in place since 1940. The tailpiece is the non-hinged adjustable L-5 Vari-Tone tailpiece found on the L-5 from 1939. Gibson's records show only 23 sunburst L-5C shipped in 1949. The guitars serial number - A-3483 places the instruments production into the later part of the year. The original 5-ply cellulose tortoise pickguard, although supplied with the guitar has 'off-gassed' so the guitar comes with an excellent reproduction pickguard from Paul Fox at Fox Guitars fitted to the original bracket. The guitar is in great condition structurally and cosmetically, it plays very well with good geometry and decent height to the dressed frets. The paper thin finish shows signs of use with dings, dents and scrapes throughout but nothing to detract from the appearance of a near 75 year old guitar. The finish has aged to a wonderful amber hue and the gold hardware has softened most notably to the tailpiece. The fast, slim neck shows wear to the lacquer from use, with a contemporary feeling oval profile it has a nut width of 43.09 and a 1st fret depth of 22.97mm. The guitar has a lively percussive voice, well balanced and with plenty of presence it has a clear, crisp and dry tone equally suited for rhythm as well as melody lines. The guitar comes with the photographed, highly desirable Geib 'Airline Tweed' Case. All in all a stunning, rare piece of Gibson history, and a wonderful instrument.\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":52322137243987,"sku":"A 3483","price":11995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc00018_f948c88e-3aec-4295-8ca4-0dd24fd14259.jpg?v=1762537409"},{"product_id":"1978-don-musser-dreadnought-12-hsc","title":"1978 Don Musser Dreadnought #12 + HSC","description":"\u003cp\u003eStunning early Rosewood Dreadnought from internationally acclaimed luthier Don Musser. Quietly building acoustic guitars in the Southwest of the USA since 1976 his guitars have been seen in the hands of artists and players such as Tom Petty, Bob Dylan and Neil Young. \u003cbr\u003e\nPart of his living is made through selling tonewood to other luthiers, allowing him to select the finest woods available for his own elegantly refined instruments. This early guitar is number 12 and was completed in 1978. It features an incredibly tight grained Western Red Cedar top, old growth, straight grained Brazilian Rosewood back and sides, a Brazilian Rosewood Bridge and Fingerboard and very unusually a solid Brazilian Rosewood neck.\u003c\/p\u003e \n\n\u003cp\u003eNot only are Musser guitars highly regarded for the impeccably selected tonewoods they are precisely built by hand with traditional methods, finished with a subtle elegance and refinement and have quite a formidable tone. This guitar has excellent clarity and detail, the bass response is warm and well defined without being overbearing. The higher registers have a presence and cut that is focused and sweet. \u003cbr\u003e\nThis guitar has phenomenal sustain that blooms with an amazing range of harmonics that swell in waves. Sonically this guitar is certainly something very special.\u003cbr\u003e\nThe guitar has a comfortable soft V profile to the neck that measures 21.98mm at the 1st fret. it has a 44.89mm nut width with a 59.19mm strings spacing at the bridge.\u003cbr\u003e\nA wonderful opportunity to acquire one of Don Musser's earliest instruments.\u003c\/p\u003e","brand":"Musser","offers":[{"title":"Default Title","offer_id":52322137669971,"sku":"#12 1978","price":10995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc00203_a7cacabf-81d7-405f-99f1-0700759b7d06.jpg?v=1762537415"},{"product_id":"1963-gibson-j-200-sunburst-hsc","title":"1963 Gibson J-200, Sunburst + HSC","description":"\u003cp\u003eWonderful early 60’s Gibson J-200 resplendent in its original Sunburst finish. A cherished instrument that has been played and feels perfectly broken in, it has been modified with a Stratocaster pickup much like a J-160e and a single volume control on the upper bout. The perfect players J-200!\u003cbr\u003e\nThe J-200 is Gibsons flagship, top of the range flat top acoustic guitar. It made its first appearance in 1937 initially called the Super Jumbo, changing early to the Super Jumbo 200. The retail price was $200 with very few examples shipped, the ledgers show that only 25 left the factory in 1938. Early pre-war examples featured rosewood back and sides. Production of the Super Jumbo 200 ceased during the Second World War as Gibson scaled down manufacture and upon its re-release in 1947 the specification had changed mainly to the back and sides changing from Rosewood to figured Maple with Natural finish becoming an option in 1948. \u003cbr\u003e\nConstantly evolving the 1950’s would see the SJ-200 body depth increase to 4 7\/8” in 1952 and in 1955 the model name was shortened to J-200. By 1961 the J-200 would receive a gold Tune-o-matic adjustable bridge with a newly designed ‘closed’ moustache bridge and 1963 would see the introduction of a five piece laminated neck.\u003cbr\u003e\nThis fantastic guitar dates to 1963 and is one of only 163 shipped that year. It features a straight grain Sitka spruce top, the Maple back and sides are highly figured as is the wood selected for the five piece maple neck. The bound ‘stinger’ headstock features a pearl inlayed Gibson Logo and Crown inlay. The bound Brazilian Rosewood fingerboard is inlayed with Pearl Crest position markers and the Pearl inlayed Rosewood bridge has had the ABR-1 replaced with a well made rosewood fillet with traditional saddle. Tuners are gold plated Kluson Wafflebacks. \u003cbr\u003e\nThe original Sunburst finish looks great, there is wear throughout but nothing to detract from the guitars overall appearance and if anything adds to the guitars cool factor. There is one minor area of DIY touch up on the bass side of the neck by the first fret. \u003cbr\u003e\nThe guitar feels great in use, the neck has the perfect slim to medium early 60’s profile with a depth at the first fret of 20.8mm increasing to 23.37mm at the 7th fret. The nut has a width of 42.8mm. The guitar sounds excellent, a great singer- strummer but also sweet when fingerpicked or flat picked. This one has a bigger voice than some J-200 can especially in the low end. The Stratocaster pickup works surprisingly well offering an alternative to the standard Acoustic pickup options. We think the addition is cool, the guitar was adapted for use with no fear of affecting its value but if the future owner wanted the mod remedied its a cosmetic repair most luthiers would be able to fix and achieve a great result.  \u003cbr\u003e\nThe guitar plays well in the first position it is worth advising that the action does increase to just over 3.5mm at the 12th fret and depending on the next owners preference a neck re-set may want to be considered.\u003cbr\u003e\nThe guitar comes with a well fitted modern case.\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":52322300625235,"sku":"C73664","price":7995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc00614_e9182958-1b2a-487c-955f-9806aab89e2c.jpg?v=1762539186"},{"product_id":"1958-martin-d-28-hsc","title":"1958 Martin D-28 + HSC","description":"\u003cp\u003eA very cool player and an even better sounding D-28 from 1958. It's no surprise this guitar has been played a lot throughout it's life and we feel it looks and sounds all the better for it. A Country \u0026amp; Western, Bluegrass, Folk heavyweight the D-28 model was Martin's highest priced, largest sized, best offering during this period; the higher spec more elaborate models having been discontinued during the war and not yet brought back into production. The D-28 was guitar of choice for many high profile musicians earning it's status as a Country \u0026amp; Western, bluegrass and folk staple, and resulting in a large waiting list as demand outstripped production.\u003cbr\u003e\nThe tone is rich, warm, dry, woody and very well balanced. The Rosewood ensures a very well rounded, warm lower end, the highs are sparkly, distinct and balanced, and the mids are slightly scooped whilst retaining some punch. There's a fair amount of headroom, and the projection is excellent. It's easy to see why this guitar has clearly been used extensively throughout it's life. In both sound and feel this is definitely one of the nicer D-28's we've had.\u003cbr\u003e\nThe neck has a very playable soft 'V' profile, the lacquer having worn from decades of use resulting in a very tactile, smooth feel in the hand. It's a very comfortable guitar to play, with plenty of height to the non-original frets. The action is spot on with good playability up the neck, whether you're chord\/rhythm playing, lead playing or fingerpicking. The neck doesn't appear to have been reset and the saddle has only a small amount of height remaining. The bridge is a short saddle Rosewood replacement which has been bolted and dowelled with pearl dots.\u003cbr\u003e\nCondition wise there are numerous scratches and dings to the whole guitar and some minor tarnishing to the finish on the back. There are two visible, superficial cracks on the back that don't penetrate the wood and some of the braces have been re-glued. Otherwise the guitar is structurally sound with good geometry.\u003cbr\u003e\nIn addition to the changed bridge, the guitar has a changed nut and has been refretted. It retains it's correct Grover Pat. pend tuners that were brand new in 1958. The Maple bridge plate appears original too.\u003cbr\u003e\nAll in all this is a stunning sounding dreadnought from a good period of manufacture, right at the beginning of the folk revival. A wonderful instrument with character, history and charm in abundance.\u003c\/p\u003e","brand":"Martin","offers":[{"title":"Default Title","offer_id":52322302656851,"sku":"C73712","price":13995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc03256.jpg?v=1762539211"},{"product_id":"1950-martin-000-21-hsc","title":"1950 Martin 000-21 + HSC","description":"\u003cp\u003eA real workhorse of a model, the style 21 of this period sits perfectly between the style 18 and style 28 with it's paired back styling.\u003cbr\u003e\nRosewood back, sides, fingerboard, bridge and Sitka Spruce top. The voice is expressive and dynamic with a rich woody aspect to the tone. It's powerful and dynamic and feels at home whether played fingerstyle or strummed. Overall this is an excellent all-rounder instrument that covers a lot of ground!\u003cbr\u003e\nVisually the guitar has had a few bumps, knocks and repairs over years but it remains original. The top has aged nicely, the finish has honeyed and with the dark tortoiseshell celluloid pickguard and binding this guitar oozes character. \u003cbr\u003e\nThere is a repaired crack at the heel and some finish overspray to an area of bucklewear on the back. The nut is changed and it appears to have been refretted but the playability is spot on, the neck is straight and true, the action is great, and there's room on the saddle for adjustment in the future should it be required. All in all this is a stunning vintage Martin that is ready to go!\u003c\/p\u003e","brand":"Martin","offers":[{"title":"Default Title","offer_id":52322302951763,"sku":"C73726","price":10495.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc09506.jpg?v=1762539217"},{"product_id":"2004-gibson-nick-lucas-historic-reissue-ohsc","title":"2004 Gibson Nick Lucas Historic Reissue + OHSC","description":"\u003cp\u003eGibson's tribute to one of the most iconic instruments in the company's history, and their first artist model named after the influential guitarist and \"crooning troubadour,\" Nick Lucas. First introduced in the late 1920s as a top of the range model in Gibson's catalogue, the original\/earliest version Nick Lucas model retailed for $125 in 1927. Specs changed over the next few years, the biggest being a change to the body shape in 1929 from the more rounded bottom end to a flatter bottom, larger instrument with increased depth, width and a longer 24.75\" scale.\u003cbr\u003e\nThis 2004 version, part of Gibson’s Historic line made in Bozeman, Montana was a reimagining of the last incarnation Nick Lucas model from 1934 featuring Maple back and sides, 24.75\" scale, 14-fret neck with a flat back body and flat (non pyramid) Rosewood bridge. The Maple back and sides are beautifully figured displaying a really nice, almost fiddleback flame, with all sides finish in an attractive dark sunburst. Combined with the tight grained Spruce top the quality of tonewoods used on this guitar is evident, and it really shows in the sound and tonal qualities. \u003cbr\u003e\nCondition wise it has 2 large lacquer cracks to the Maple bass side. Otherwise it's in excellent condition and plays well with height remaining on the bridge for additional adjustment. \u003cbr\u003e\nTonally the Maple and increased body depth gives and deeper more 'tubby' bass response that remains tight. The high's are sparkly and the mids are tight and balanced. Overall a wonderful sounding instrument, complete with original hard case.\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":52322304786771,"sku":"01004024","price":2495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc00197_8e357f40-73d8-421c-88bd-9f061a88dc1c.jpg?v=1762539224"},{"product_id":"1947-martin-000-21-herringbone-stripe-hsc","title":"1947 Martin 000-21 Herringbone stripe + HSC","description":"\u003cp\u003eMartin's entry level Rosewood back and sides model, the style 21 has paired back appointments with a focus on quality tonewoods and construction without the aesthetic frills of the higher numbered models. Not often seen on the UK market, this is a fantastic example in excellent condition and with the desirable herringbone stripe on the back.\u003cbr\u003e\nBesides it's wonderful condition, one of the first things you notice is the neck profile - a very comfortable yet hefty, rounded C that fills the hand and provides a robust feel and connection to the instrument. It plays remarkably well - the neck has been reset and the action is spot on. Overall the geometry is where you'd want it, and there's about 3.5mm of height remaining on the saddle for further tweaks down the line. \u003cbr\u003e\nThis also ensures a good break angle over the saddle ensuring good string to body transfer. The tone is well balanced, with a tight bass response, lots of rich harmonics to the mids and sweet highs that are nicely rounded. It's a really nice guitar for fingerstyle, it projects well and is loud when you need it to be. \u003cbr\u003e\nThe Sitka Spruce top is tight grained and the finish has nicely honeyed over the years. There is the typical E-string crack caused by pickguard shrinkage but otherwise the instrument is crack free and in really great shape as you can see in the photos.\u003cbr\u003e\nAll in all an inspiring guitar to play and a great addition to any collection.\u003c\/p\u003e","brand":"Martin","offers":[{"title":"Default Title","offer_id":52323165929811,"sku":"S100368","price":12995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc00719.jpg?v=1762543334"},{"product_id":"1963-martin-d-28-ohsc","title":"1963 Martin D-28 + OHSC","description":"\u003cp\u003eAn excellent sounding Martin dreadnought from the early '60s. The D-28 is a Rosewood back\/sides workhorse of a guitar favoured by many players and singer songwriters over the years. This one has been used a lot during its life which is testament to its wonderful tone, projection and playability. \u003cbr\u003e\nSound wise it's well balanced without the low end boom that can be associated with later, more heavily constructed models. Bass remains tight and warm, mids have a lot of clarity and the highs ring out nicely. The projection is very good, as is the sustain and it has the powerful voice this model is known for. There's a fair amount of headroom too so it would be at home in a band setting as it would as a solo accompanying instrument.\u003cbr\u003e\nTuners are later Grovers that provide very good tuning stability. There are holes visible from previously installed repro Waverley's as well as holes to the heel from previous strap buttons. There's a cleated crack around the lower side rim otherwise the instrument is original and in good overall condition. It's an excellent looking guitar with characterful wear around the tortoiseshell celluloid pickguard. The Spruce top has aged and darkened nicely and there's an attractive straight grain to the Rosewood.\u003cbr\u003e\nA fantastic, inspiring instrument to play, a very comfortable neck profile, and overall an excellent example of Martin's famous Rosewood dreadnought. Complete with original hard shell case.\u003c\/p\u003e","brand":"Martin","offers":[{"title":"Default Title","offer_id":52323166683475,"sku":"C73755","price":7995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc00905.jpg?v=1762543335"},{"product_id":"1955-gibson-j-50-hsc","title":"1955 Gibson J-50 + HSC","description":"\u003cp\u003ePlayer grade, big guard J-50 with a big sound! This one has had some running repairs over the years to keep it playing its best, but the guitar has a lot of character and makes for an excellent accompanying or solo instrument. There are a few changes to this one, including some finish overspray to the neck and body and a repair behind the bridge with some minor lifting to the top. Filler has also been added to level grooves in the fingerboard as a result of play wear. \u003cbr\u003e\nInternally the bridge plate has been replaced - the newer part signed by R.Eaton and dated 8-19-07. The geometry is good and the action is spot on with saddle height remaining for additional adjustment down the line. There is also some lifting to the corner of the pickguard.\u003cbr\u003e\nThe neck is a comfortable full C profile that sits well in the hand and offers stability and resonance to the instrument. The sound is warm and tubby on the lower end, balanced well with a pleasant top end ring and powerful mids.\u003cbr\u003e\nAlthough not a collectors piece this guitar has plenty going for it tone and playability wise, with some nice vintage looks to boot!\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":52323195355475,"sku":"S73809","price":4495.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc04115-2.jpg?v=1762543367"},{"product_id":"1996-guild-dk-70nt-peacock-ace-skunk-anansie-collection","title":"1996 Guild DK-70NT Peacock | Ace - Skunk Anansie Collection","description":"\u003cp\u003eIn collaboration with Ace from UK alt-rock band Skunk Anansie, ATB Guitars are proud to offer for sale some of the iconic instruments used throughout his career. \u003cbr\u003e\nFormed in 1994, Skunk Anansie have become one of the biggest rock bands in Europe with over 6 million physical sales and over 25 million Spotify streams per year not to mention the numerous awards acquired along the way. Their blend of alternative rock, punk, and metal, with powerful vocals and socially conscious lyrics gained them significant attention from the outset with the release of their debut album \"Paranoid \u0026amp; Sunburnt\" in 1995 followed by \"Stoosh\" a year later. Skunk Anansie continued to evolve their sound with subsequent albums \"Post Orgasmic Chill\" (1999), \"Wonderlustre\" (2010), and \"Anarchytecture\" (2016), and throughout their career they have been praised for their dynamic live performances and outspoken stance on issues like politics, sexuality, and racism. Guitarist, songwriter and founder member Ace played a crucial role in shaping the band's distinctive sound - his heavy riffs, melodic hooks, and dynamic solos contributing to the band's energetic and impactful music. \u003cbr\u003e\nDuring their career Skunk Anansie have shared stages with with such bands as Metallica, Rammstein, Muse, U2, The Rod Hot Chilli Peppers, Lenny Kravitz, Foo Fighters, Bon Jovi, David Bowie and the Sex Pistols. They continue to play sell out shows and release new music under their own independent label. This longevity and influence on the rock scene has cemented their status as one of the most iconic and enduring bands in British rock history. Coinciding with their 30th anniversary Ace has partnered with ATB Guitars to offer for sale some of the iconic instruments he used during his career. \u003cbr\u003e\nThis is a stunning, Limited Edition Guild DK-70NT Peacock, arguably one of the fanciest Guild instruments produced with appointments to rival a 45 Series Martin and the build quality of a Johnny Smith Artist Award. The Peacock was limited to 50 made with this one being no.7.\u003cbr\u003e\n\"It was played on all the early Skunk albums (featured on secretly and you’ll follow me down) and acoustic sessions from then on. It was on many TV show appearances across Europe, awards, Jools Holland Hootenanny and in guitar mag features\" recalls Ace\u003cbr\u003e\nWesterly made, it features a stunning, highly figured, flamed Koa top, Koa back and sides paired to a two-piece Mahogany neck with centre strip. The fingerboard and bridge are high grade Ebony. The appointments are befitting a high-end Limited Edition instrument with the eyes instantly drawn to the ornate pearl inlayed pickguard with elegant Peacock motif. The pearl theme continues with the multi-ply sound hole rosette, body binding and headstock mirroring position Markers and inner binding. The Headstock is inlayed in pearl with the Guild G-Shield logo and the truss rod cover is a suitably ornate gold plated piece. Tuners are gold plated Grover Rotomatics with Stairstep Imperial buttons. The guitar is still fitted with the original active pickup with setting markings still evident.\u003c\/p\u003e","brand":"Guild","offers":[{"title":"Default Title","offer_id":52324243276115,"sku":"DK700007","price":14995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc05345.jpg?v=1762552875"},{"product_id":"2020-greenfield-g4-2","title":"2020 Greenfield G4.2","description":"\u003cp\u003eA breathtaking instrument in every sense, this 2020 Greenfield G4.2 is a masterclass in modern acoustic guitar design—built by one of the world’s most revered luthiers, Michael Greenfield. Completed in July 2020, this is build #323, and it’s one of the finest contemporary acoustics you’re likely to encounter.\u003cbr\u003e\nThe guitar features a Sitka spruce top paired with East Indian rosewood back and laminated sides, delivering a tone that’s rich, complex, and deeply resonant. It has a focused low end, airy trebles, and an expressive midrange response that’s both articulate and incredibly dynamic. The DADGAD fanned-fret layout not only optimises tension and intonation for alternate tunings, but also lends a naturally ergonomic playing experience—perfect for the modern fingerstylist.\u003cbr\u003e\nAs you'd expect from Greenfield, the appointments are meticulous and beautifully executed. A Florentine cutaway offers unhindered access to the upper register, while the body is accented with ebony bindings and fine violin-line purflings. The signature Greenfield rosette features paua heart abalone and spalted beech—a stunning, organic touch that sets it apart. Comfort is key too, with a Laskin-style arm rest and rib rest seamlessly integrated into the body for a truly relaxed playing posture.\u003cbr\u003e\nThe quarter-sawn neck has a compound-radius ebony fingerboard (16\"–20\") and features a swooping heel carve for enhanced upper-fret playability. The Honduran mahogany neck is reinforced with carbon graphite and carved to Greenfield’s “Standard” profile—a perfect blend of substance and comfort. The ebony string-through bridge, inspired by the design language of Steve Klein, is another elegant and functional touch.\u003cbr\u003e\nHardware includes gold \"g\" 510 tuners with ebony buttons, and a natural unbleached bone nut and saddle. It’s housed in a custom-fit Main Stage flight case and remains in outstanding condition, showing minimal signs of use.\u003cbr\u003e\nSimply put, this is a world-class instrument built by one of the best. Whether you're an advanced player looking for the ultimate stage or studio guitar, or a collector with a taste for elite-level luthiery, this Greenfield G4.2 offers a rare opportunity to own something truly special—without the years-long wait!\u003c\/p\u003e","brand":"Greenfield","offers":[{"title":"Default Title","offer_id":52324250059091,"sku":"C73853","price":18995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc07430.jpg?v=1762552899"},{"product_id":"1931-martin-c-2-shaded-top","title":"1931 Martin C-2, Shaded Top","description":"\u003cp\u003eA rare and beautifully preserved piece of Martin history, this 1931 Martin C-2 is one of the cleanest and most original examples we've had. Introduced in 1931 as part of Martin’s first foray into archtop guitars, the C-series consisted of the C-1 (mahogany), C-2 (rosewood), and the more ornate C-3 (rosewood with gold hardware). All three shared a hand-carved, round-soundhole top, flat back, and a 25.4\" scale length—rooted more in Martin's flattop heritage than the louder, punchier f-hole designs that were quickly defining the archtop market.\u003cbr\u003e\nAt 15\" across the lower bout, with a body depth ranging from 3 3\/8\" to 4 1\/8\"—the C-2 was modestly sized for an archtop. Compared to Gibson’s L-5 at 16\" wide (soon hit 17\"), the Martin felt more intimate and was acoustically more refined, though notably less powerful. That gentler, more lyrical tone proved a tough sell in an era dominated by big band volume demands, and by late 1932 Martin had shifted toward f-hole designs, making early roundhole C-series models like this one relatively scarce today.\u003cbr\u003e\nThis particular example is in excellent shape. It features a tight-grained, hand-carved Adirondack spruce top, stunning figured bookmatched Brazilian rosewood back and sides, and a single-piece Mahogany neck. The ebony fingerboard is bound and inlaid with elegant mother-of-pearl snowflakes, paired with a vertical “C.F. Martin” peghead logo. Triple body binding, a shaded top finish, original Grover Sta-Tite tuners, floating Ebony bridge and trapeze tailpiece round out the spec. Many surviving C-series Martin's have been converted to OM flat tops, making clean, original examples like this one a fairly rare find.\u003cbr\u003e\nSonically, it delivers a warm, articulate voice with more richness and nuance than its Gibson contemporaries—ideal for fingerstyle and chord-melody playing. \u003cbr\u003e\nA remarkable piece of Martin’s early experimentation as they enter their golden era, this 1931 C-2 offers not just a window into the company’s transitionary years but also a tonally rewarding, highly collectible vintage archtop in outstanding condition. A real gem for the discerning player or collector.\u003c\/p\u003e","brand":"Martin","offers":[{"title":"Default Title","offer_id":52324251337043,"sku":"48593","price":5995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc07587.jpg?v=1762552903"},{"product_id":"1929-gibson-l-4-sunburst","title":"1929 Gibson L-4, Sunburst","description":"\u003cp\u003eA lovely player-grade 1929 Gibson L-4. This is the round soundhole version seen between 1928 until c.1935 after the transition to f-holes. Other features include a non-cutaway body with carved Spruce top, Maple back and sides and an unbound peghead sporting the era-defining, \"The Gibson\" logo.\u003cbr\u003e\nThe carved Spruce top and Maple back\/sides are single-bound as is the neck. The fingerboard has been replaced at some point in its life and split parallelogram fingerboard inlays - a feature of post-1947 models - replace the dot markers used in this period. The soundhole ring is 7-ply black-and-white. It’s had a neck reset so playability is great. Tuners are repro Klusons that function well and the guitar has been refinished. \u003cbr\u003e\nThe sound is typically dry, punchy, articulate and loud—perfect for swing, early jazz, or fingerstyle.\u003cbr\u003e\nThis isn’t a museum piece, but it’s a proper working vintage guitar with a great feel and classic tone—ideal for someone who wants the charm and sonic qualities of a nearly century-old Gibson without collector-grade pricing or fragility. It plays well across the neck, sounds great acoustically, and stands as a testament to Gibson’s craftsmanship during one of its most iconic eras.\u003cbr\u003e\nIf you’re after a vintage archtop that blends character, history, and playability, this 1929 L-4 is a fantastic find.\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":52324251631955,"sku":"88726","price":2995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc07762.jpg?v=1762552905"},{"product_id":"1930-gibson-l-2-argentine-grey","title":"1930 Gibson L-2, Argentine Grey","description":"\u003cp\u003eA superb, rare spec Gibson L-2 from 1930 built during what was a rather experimental time for Gibson at the beginning of the Great Depression. The L-2 model in this period was subject to many different spec changes as the company failed to settle on a single design. This L-2 - bearing factory order number 9505 -  is an export model and a superb example of Gibson's short-lived 13-fret format with some other unusual, rare features.\u003cbr\u003e\nThe flat top L-2 was Gibson’s second most expensive at the time, sitting just below the Nick Lucas Special in the company’s catalog. This example features the newly introduced 14.75” body, with a 13-fret neck join; part of a brief transitional phase from their earlier 12-fret designs to the 14-frets they would eventually settle on. This short-lived geometry along with the extremely light construction gives the guitar a distinctive tonal balance—warm and woody with excellent focus, volume and projection.\u003cbr\u003e\nThe neck carve is fairly chunky and nicely rounded. It plays incredibly well with an action of 2.5mm on the bass and treble side and plenty of saddle height remaining. It features a prominent banjo-style volute, a rarely seen\/short-lived feature on this model, and the headstock features the white stencilled “The Gibson” logo rather than the more typical pearl version with \"Jester\" headstock inlay. The construction is incredibly lightweight with an X-braced Spruce top and Honduran Mahogany back and sides. The Rosewood fretboard is bound with Nick Lucas-style pinstripe binding and punctuated with dot marker inlays. The original celluloid pickguard is retained in the case and there are holes visible on the body from the bracket\/screw installation.\u003cbr\u003e\nThe voice is dry, resonant and very responsive. The tone is crisp and sweet, with great clarity—ideal for fingerstyle, flatpicking or strumming. It is very responsive and the projection is excellent, offering the player a large dynamic range to work with.\u003cbr\u003e\nThis example shows its age having clearly been used over its 95 year. There's a crack to the side, plenty of play wear and worn patina throughout, but it remains structurally sound and full of character. \u003cbr\u003e\nBuilt during the onset of the Great Depression and produced in very limited numbers, these rare L-2 models occupy a fascinating niche in Gibson’s history. This is no case queen, but if you're looking for a characterful pre-war Gibson from one of their more experimental periods this one will not disappoint. It comes complete in a period-correct Lewin branded hard case.\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":52344198857043,"sku":"9505","price":6995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1930s-gibson-l-2.jpg?v=1762788235"},{"product_id":"2008-gibson-sj-150-natural","title":"2008 Gibson SJ-150, Natural","description":"\u003cp\u003e2008 Gibson SJ-150 in Natural finish from the Bozeman, Montana factory. This is a seriously cool jumbo-bodied Gibson with stripped-back appointments and a big, open voice. In excellent condition throughout, this one has clearly been well cared for over the years.\u003cbr\u003e\nA noteworthy feature of this particular example is its very tight-grain spruce top that displays some incredible, fine silking across the grain. The flame maple back and sides are great to look at and tonally they give that punch, tightness and clarity to the low end giving this SJ-150 that classic Gibson jumbo thump and projection, with sweet ringing highs perfect for strumming or heavy rhythm playing.\u003cbr\u003e\nAppointments are simple and tasteful—an unbound rosewood fingerboard with mother-of-pearl crown inlays, crown peghead inlay, a plain tortoiseshell pickguard with bordered edge, and an open moustache-style rosewood bridge. The result is a very classy, vintage-influenced look.\u003cbr\u003e\nTonally, it’s exactly what you'd want from a maple-bodied Gibson Jumbo—loud, clear, and full, with great separation and a rich low end and midrange growl when you dig in. The neck profile is a medium\/large C that fills the hand nicely, and the action is 3mm on the bass side, 2.5mm on the treble with 5mm on the compensated saddle for further tweaks if required. \u003cbr\u003e\nComplete with its original hard case, this is an excellent opportunity to grab a well-made Montana Gibson jumbo with standout tonewoods, clean lines, and a big acoustic presence!\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":52344200659283,"sku":"C73891","price":2250.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc09558.jpg?v=1762788248"},{"product_id":"2021-martin-d-28-custom-authentic-1937","title":"2021 Martin D-28 Custom Authentic 1937","description":"\u003cp\u003e2021 Martin D-28 Custom Authentic 1937, a superb recreation of one of Martin’s most celebrated designs. Built in the Custom Shop, this model gives players the sonic superiority of the Authentic Series paired with the everyday reliability of a true workhorse dreadnought. Regarded by many as the cornerstone of acoustic dreadnoughts, the D-28 set the benchmark for generations of instruments that followed, and this modern build carries that same DNA.\u003cbr\u003e\nConstruction is true to the pre-war recipe, with Adirondack spruce and rosewood back\/sides, joined using hide glue and cloth strip reinforcement. The forward-shifted, scalloped X-bracing is cut from Adirondack spruce, giving the guitar remarkable projection and tonal depth. An adjustable truss rod has been subtly introduced, offering modern convenience and tweakability.\u003cbr\u003e\nSpec-wise, it’s everything you’d hope for: a D-14 fret body with Adirondack spruce top, bold herringbone purfling, zig-zag back strip, and antique white binding. The long saddle 1930s-style belly bridge and ebony fingerboard bring authentic detail, matched with diamond \u0026amp; square long abalone inlays. The neck is genuine mahogany, carved to the chunky 1937 profile with a standard taper, 1 3\/4\" nut, and 2 1\/4\" width at the 12th fret. Waverly nickel open-back tuners with butterbean knobs, bone nut and saddle, and a tortoise-pattern guard complete the look.\u003cbr\u003e\nSonically, it’s every bit as inspiring as the spec suggests. Huge dynamic range, a commanding bass response, sweet trebles and incredible clarity make this a true player’s instrument. A modern guitar with vintage heart, the D-28 Custom Authentic 1937 is Martin’s finest nod to its own golden era.\u003c\/p\u003e","brand":"Martin","offers":[{"title":"Default Title","offer_id":52344204296531,"sku":"2485074","price":6495.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc01823_1b1ee0ff-0795-413d-9939-ac8cfdd7f28b.jpg?v=1762788271"},{"product_id":"1999-westerly-guild-f212-xl-ohsc","title":"1999 Westerly Guild F212-XL + OHSC","description":"\u003cp\u003eA common sight on Top of the Pops for 70’s and 80’s bands, this rare and sought after Guild 12-string from 1999 is a beautifully put together guitar. With mahogany back and sides instead of the more common rosewood or maple and the larger than normal body, this has a big sound that fits right into that classic 12 string area.\u003cbr\u003e\nYou have probably heard this sound on many a record from bygone eras as it was one of the more popular 12 string acoustics in the recording studio and for good reason too. The sound is sparkly and full bodied with great detail, allowing it sit in a complex mix with perfection.\u003cbr\u003e\nThe neck is large (as you would expect) but extremely comfortable, with a wide C profile.\u003cbr\u003e\nCondition is excellent, and pretty much Mint! In fact this is probably the finest example, possibly, on planet Earth. In fact we challenge you to find finer..!\u003cbr\u003e\n1999 was an interesting year for Guild, they had just been bought out by Fender, and for the first time they we’re reissuing the F212-XL since it had been discontinued in 1985. They only made these for two years until 2001, when they moved production from the Guild factory in Westerly, Rhode Island to California. As such this is a rare instrument. even more so in this condition!\u003cbr\u003e\nThese only come up for sale extremely rarely, so grab yourself a great example of what Guild were producing in the early days of Fender ownership…\u003c\/p\u003e","brand":"Guild","offers":[{"title":"Default Title","offer_id":52344210489683,"sku":"S73941","price":1495.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1985-guild-f212-xl-6.jpg?v=1762788277"},{"product_id":"1997-martin-stauffer-00-40","title":"1997 Martin Stauffer 00-40","description":"\u003cp\u003eThis rare 1997 Martin Stauffer 00-40 is an elegant limited-edition model, built as part of a planned run of 75 instruments. Ours is stamped #33, though it’s widely believed that Martin never actually completed the full run, making these one of the hardest modern Martin editions to track down. Presented here in excellent condition and complete with its original hard case, it’s a fine example of this elusive model.\u003cbr\u003eThe Stauffer name reaches back to the very roots of Martin history. Johann Georg Stauffer was a renowned Viennese luthier of the early 19th century, famous for his scroll-style headstocks and innovative designs. Christian Frederick Martin trained in Vienna and absorbed much of Stauffer’s influence before founding his own company in the United States. With this model, Martin paid tribute to that connection, adopting the distinctive Stauffer scroll headstock and finely appointed Style-40 ornamentation to honour their founder’s European lineage.\u003cbr\u003eThe 00-40 format is a 12-fret, grand concert-sized guitar, here built with a solid spruce top and East Indian rosewood back and sides. Scalloped X-bracing keeps the build light and responsive, while the ebony fingerboard and bridge add both durability and tonal focus. The guitar is richly bound, with snowflake inlays, ivoroid trim and a decorative backstrip, all consistent with Martin’s higher-end styles. The slotted “Stauffer-style” headstock carries six tuners in line on a single plate, a striking and unusual touch that sets this model apart visually as well as historically.\u003cbr\u003ePlayability is excellent thanks to the comfortable 12-fret neck and short 24.9\" scale length, making it an especially inviting instrument for fingerstyle playing. Tonally it delivers exactly what you’d expect from a rosewood 00: a sweet, balanced voice with clarity across the registers and an immediacy that responds beautifully to a lighter touch.\u003cbr\u003eAs one of only a handful of Stauffer 00-40s known to exist, this guitar represents a fascinating point where Martin’s past and present meet. Rare, historically significant and wonderfully playable, it would make a superb addition to any serious collection, or a rewarding everyday companion for the player seeking something truly special.\u003c\/p\u003e","brand":"Martin","offers":[{"title":"Default Title","offer_id":52344954257747,"sku":"613282","price":6850.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc02843_a7f22646-a969-4792-9371-22f8cbde3e40.jpg?v=1763750762"},{"product_id":"1930s-kalamazoo-kg-11-sunburst","title":"1930s Kalamazoo KG-11, Sunburst","description":"\u003cp\u003eThe Kalamazoo KG-11, built in the 1930s by Gibson in Kalamazoo, Michigan, is one of the most charming Depression-era guitars you’ll come across. This example, serial number 292 with factory order number 1028, features the distinctive small sunburst Spruce top paired with Mahogany back and sides. It’s a classic KG-11 spec with bound top and unbound back, ladder bracing, solid kerfing, dot fingerboard markers and the correct three-on-a-plate tuners with black buttons. Everything here is original down to the Ebony nut and what appear to be the factory frets - a rare survivor from a period when these guitars were inexpensive working instruments, often played hard and seldom preserved.\u003cbr\u003e\nCondition is remarkable for its age. The finish retains a strong burst with only light pick wear from the lack of a guard, the geometry is good with saddle height remaining for further adjustments in the future. The neck shows just a touch of relief and overall it plays very well for an instrument of this age. The tuners are slightly stiff but function as intended, the frets are low but quite usable, and overall this is one of the cleanest KG-11s you’re likely to find. At just 1.25 kg it’s feather-light in the hands.\u003cbr\u003e\nIn terms of playability, this guitar has a wonderful big V-profile neck with a 45mm nut great for fingerstyle players who like a bit of room for the left hand. Alignment is good with room at the saddle for further tweaks if desired, and up the neck it remains very playable. Tonally it has the dry, jangly character these ladder-braced Kalamazoos are loved for, with a sweet highs, an 'earthy' midrange and a quick, direct response that works beautifully for blues, ragtime and roots styles.\u003cbr\u003e\nThe KG-11 sits in a fascinating chapter of American guitar history. Introduced by Gibson under the Kalamazoo brand as an affordable alternative during the Depression, these guitars were marketed as no-frills but well-made instruments. The smaller body shape of the KG-11, with its tight waist and compact outline, gave it a distinctive look compared to the KG-14 and other contemporaries. Despite being budget guitars, they were built with solid woods and excellent craftsmanship, making them far more enduring than many competitors of the era. Today, they’re prized not only for their unique tone but also for their association with a time when music was a solace in hard times. Survivors in this condition are few and far between, making this example a true collector’s piece as well as a highly inspiring player.\u003c\/p\u003e","brand":"Kalamazoo","offers":[{"title":"Default Title","offer_id":52344954356051,"sku":"1028","price":2250.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/dsc02974_86133d71-304a-48b0-a613-71b0735a6aa6.jpg?v=1763750655"},{"product_id":"1963-gibson-j-45-sunburst","title":"1963 Gibson J-45, Sunburst","description":"\u003cp\u003e\u003cspan\u003eA superb example of Gibson’s most iconic acoustic, this 1963 J-45 delivers everything you’d expect from an early-’60s slope-shouldered classic: responsiveness, balance, and that unmistakable warm, woody thump that has made the model a songwriting staple for generations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis J-45 features its original Sitka spruce, sunburst top paired with mahogany back and sides, producing a mellow low end, clear midrange, and a sweet, rounded top end. The classic 1963 neck profile is comfortable and fast, with the full nut width that many players prefer over later-decade variations. The rosewood fingerboard and bridge add richness and clarity to the guitar’s harmonic response.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCosmetically, the guitar shows some tasteful vintage character showing a few dings and some checking across the top, gentle playwear, and a warm, naturally aged sunburst finish. Structurally it is solid, with no cracks or repair concerns, and maintains excellent playability with a responsive setup that suits strumming or fingerstyle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt has had other tuners fitted at some stage and currently has some mid\/late 60's Kluson Deluxe's. There is a plate on the back of the headstock that has the serial number on for some reason and the bridge saddle has been replaced with a newer compensated type for better intonation, with an unusual repair to the B string saddle using a wooden insert. Strap buttons have also been replaced.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTonally, this J-45 has truly opened up over its 60+ years. It's resonant, dynamic, and full of that dry, vintage Gibson character. A wonderful example for anyone chasing that authentic early-’60s Gibson acoustic sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes a non-original hard case.\u003c\/span\u003e\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":52420362830163,"sku":"B 1503","price":3850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1963GibsonJ-45-2.jpg?v=1763564854"},{"product_id":"1937-national-duolian-resonator","title":"1937 National Duolian Resonator","description":"\u003cp\u003eA cool example of National’s pre-war craftsmanship, this 1937 Duolian captures everything players love about the early steel-body resonators: raw projection, unmistakable midrange bark, and a voice that sits perfectly between bluesy grit and metallic sweetness.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis instrument features its original steel body with the classic crystalline “frosted Duco” finish, now beautifully aged with patina, playwear, and oxidisation consistent with an 80+ year-old National. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe sunburst finish neck joins the body at the 14th fret, and retains its original V profile which although big, feels comfortable and solid. The original tuners function well, the action is set up to cater to both fingerstyle and slide, making it an inspiring guitar for blues, folk, and period-correct roots music. It has been refretted, as you would expect for 80 years old and has a new nut.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe biscuit bridge resonator cone delivers that unmistakable Duolian punch: dry, loud, punchy and very responsive. Despite its age, the guitar plays cleanly and feels lively, with no structural issues.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA superb opportunity to own a genuine pre-war National, full of character, originality, and the timeless sound that shaped early American music.\u003c\/p\u003e","brand":"National","offers":[{"title":"Default Title","offer_id":52421740527955,"sku":"A4744","price":3495.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1937-national-duolian-resonator-a4744-2.jpg?v=1763571895"},{"product_id":"2018-martin-d-45-re-imagined","title":"2018 Martin D-45 Re-Imagined","description":"\u003cp\u003eThe 2018 Martin D-45 Re-Imagined represents the pinnacle of Martin’s modern dreadnought lineup, and this example is about as close to new as you’re likely to find on the pre-owned market! The Re-Imagined series brought the flagship models back in line with their classic heritage, pairing vintage-leaning details with Martin’s most refined contemporary build quality.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis D-45 is built around a beautifully grained Sitka spruce top with aging toner, supported by forward-shifted, scalloped X-bracing. East Indian rosewood back and sides supply that familiar depth and harmonic richness, complemented by full Style 45 abalone purfling across the top, back and sides. Antique white binding frames everything with a clean, classic edge, while the abalone rosette and Style 45 hexagon fingerboard inlays reinforce that unmistakable high-end Martin aesthetic.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe genuine mahogany neck features Martin’s Modified Low Oval profile with the High-Performance Taper, offering a modern, comfortable feel that still works beautifully with the traditional Martin scale length. An ebony fingerboard and matching ebony bridge keep things crisp and responsive, with a bone nut and gold open-gear tuners rounding out the spec. The gloss body finish, faux tortoise guard and original hardshell case complete the package.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTonally, it’s everything a top-tier D-45 should be: a deep, piano-like low end, brilliant but controlled highs and a broad, open midrange that fills the room with ease. This one is in genuinely as-new condition, showing no meaningful signs of use and presenting exactly as you’d expect from a lightly handled, one-owner guitar.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA superb opportunity for anyone seeking a modern D-45 at its very best. Visually stunning, sonically expansive and in excellent condition throughout.\u003c\/p\u003e","brand":"Martin","offers":[{"title":"Default Title","offer_id":52421740757331,"sku":"2147897","price":7995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/2018-martin-d-45-re-imagined-2147897-2.jpg?v=1763571895"},{"product_id":"1917-gibson-f4-mandolin-martin-barre-collection","title":"1917 Gibson F-4 mandolin - Martin Barre Collection","description":"\u003cdiv\u003e\u003cspan\u003eA beautifully preserved example of one of Gibson’s flagship mandolin from the golden age of acoustic instrument production, this 1917 Gibson F-4 embodies the craftsmanship, tonal richness, and aesthetic detail that defined the company’s pre-war artistry.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMartin has used this very mandolin on tours and various recordings through the years and is easy to record with the classic Gibson F series, unmistakable sound.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003eFinished in its classic dark red Cremona sunburst, the carved spruce top and carved birch back display remarkable depth and character, with the kind of patina and subtle ageing only a century can produce. The elegant triple binding, ornate flowerpot headstock inlay, and the signature scroll body highlight why the F-4 was Gibson’s top-of-the-line mandolin prior to the Loar-signed era.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003eTonally, this instrument is everything an F-4 should be: warm, full, and beautifully balanced, with a deep, resonant low end and a round, singing treble response. The oval soundhole offers a more open, lyrical voice than its later f-hole counterparts—ideal for classical, Celtic, old-time, and melodic ensemble playing.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003eThe mahogany neck with its classic early-20th-century profile remains straight and comfortable, and the original ebony fingerboard shows only minimal wear for its age. Hardware, including the ornate hand-engraved tailpiece cover and original tuning machines, is intact and functioning well. Structurally, the instrument is excellent, with no concerning repairs or stability issues aside from a small piece of binding that has become loose from the side (see pics).\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003eFinding a 1917 F-4 in this condition is increasingly rare. This is a soulful, highly collectible mandolin with outstanding tone and remarkable originality—equally suited to the discerning player or the serious vintage collector.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003eIncludes: Original hard case.\u003c\/span\u003e\u003c\/div\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":52485206638931,"sku":"36916","price":4995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1917GibsonF4Mandolin-5.jpg?v=1764273182"},{"product_id":"2022-prs-angelus-a60e","title":"2022 PRS Angelus A60E","description":"\u003cp\u003e\u003cspan\u003ePRS acoustics are known for. The A60E sits at the upper end of the Angelus series, offering both luxurious aesthetics and professional-level performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing a solid Sitka spruce top paired with solid ziricote back and sides, this model delivers a rich, powerful, and highly articulate voice. Expect a tight low end, a clear and complex midrange, and beautifully defined treble ideal for fingerstyle players and full strummers alike. The body shape provides excellent projection while retaining balance and warmth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe mahogany neck with PRS’s comfortable profile and the ebony fingerboard ensure smooth, effortless playability all the way up the neck. Fit and finish are characteristically immaculate, with detailed purfling, elegant abalone appointments, and PRS’s signature bird inlays adding a touch of understated luxury.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEquipped with the PRS Hybrid X\/Classical bracing and the PRS Voicing pickup system, the A60E excels both acoustically and plugged in. The electronics deliver a natural, dynamic amplified tone that translates the guitar’s character with clarity and nuance perfect for stage, studio, or live settings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition is excellent throughout, with only minimal signs of gentle use. Frets, hardware, and electronics are all in perfect working order, and the guitar plays beautifully with a lively, resonant acoustic response.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA top-tier acoustic from PRS visually striking, tonally rich, and superbly built. Ideal for players seeking a premium instrument with exceptional versatility and refinement.\u003c\/span\u003e\u003c\/p\u003e","brand":"PRS","offers":[{"title":"Default Title","offer_id":52485270634835,"sku":"9\/2022","price":649.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/2022PRSAngelusA60E-2.jpg?v=1764275269"},{"product_id":"1968-gibson-hummingbird-sunburst","title":"1968 Gibson Hummingbird, Sunburst","description":"\u003cp data-end=\"505\" data-start=\"183\"\u003eAn iconic design and a well-preserved example of Gibson’s legendary square-shouldered acoustic. Finished in its original cherry sunburst, the lacquer shows no signs of overspray or touch-up, and the guitar retains all of the classic Hummingbird visual cues that define the model.\u003c\/p\u003e\n\u003cp data-end=\"1012\" data-start=\"507\"\u003eConstruction is exactly as expected for the period, with a spruce top framed by multi-ply binding and paired with mahogany back and sides. The bound mahogany neck features the narrower 1 9\/16\" nut width typical of the era (approximately 39.7mm) and carries a rosewood fingerboard inlaid with split parallelogram markers. The guitar has been refretted at some point, but the original nut remains in place, and overall playability is excellent, with a comfortable, familiar, slim feel right up the neck.\u003c\/p\u003e\n\u003cp data-end=\"1436\" data-start=\"1014\"\u003eHardware and appointments are correct throughout. The guitar is fitted with its original gold-plated Kluson double-line tuners with keystone buttons, and the original screwed-down Hummingbird pickguard remains intact. The rosewood bridge appears correct but looks to have been removed at some point, likely for routine maintenance. It has an adjustable plastic saddle that contributes to that familiar compressed sound with ringing high's heard on so many records.\u003c\/p\u003e\n\u003cp data-end=\"1763\" data-start=\"1438\"\u003eCondition overall is good. There are no breaks or repairs, and aside from the refret, some routine maintenance and an added strap button to the heel, the guitar has been left largely untouched. \u003c\/p\u003e\n\u003cp data-end=\"1763\" data-start=\"1438\"\u003eA lovely example complete with its original orange-lined hard case.\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":52632318869843,"sku":"700881","price":4995.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1968GibsonHummingbird700881-5.jpg?v=1766253759"},{"product_id":"1964-gibson-j-200-sunburst","title":"1964 Gibson J-200, Sunburst","description":"\u003cp class=\"p1\"\u003eA particularly attractive example of Gibson’s flagship flat-top from the period. It features a maple neck, beautifully flamed maple back and sides, and a tight-grained spruce top with pronounced silking running across the grain. Classic J-200 appointments are all present, including the bound fingerboard and headstock, crown inlays to both the fingerboard and headstock face, and gold waffle-back tuners.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe guitar retains its closed moustache rosewood bridge, now fitted with a replaced rosewood insert and a new compensated saddle. Inside the soundhole is a correct orange “Union Made” Gibson label with model and serial number. There is some cosmetic untidiness beneath the label.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis example has a factory-applied stinger to the rear of the headstock. There is, however, some localised finish disturbance in this area where a previous owner attempted to carve their initials (“AHJ”) into the back of the headstock. Inside the body, additional initials (“AJ”) have been marked with a pen, adding a piece of personal history to the instrument.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere is a crack to the top by the fingerboard on the treble (high-E) side. This has been professionally addressed with the addition of a reinforced internal neck block to stabilise the area and prevent further movement. Some glue squeeze-out is visible inside the body, but the work appears solid and effective, and the guitar feels structurally secure.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNeck measurements are very comfortable, with a nut width of 42.6mm, a depth of 20.7mm at the first fret and 28mm at the twelfth, giving a full yet playable feel that suits the model well.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOverall, this is a characterful and visually striking mid-’60s J-200, combining classic Jumbo tone and presence with honest wear, sensible repairs and plenty of vintage appeal. Includes the original hard shell case.\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":52645990138195,"sku":"174824","price":8495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1964GibsonJ-200Sunburst-4.jpg?v=1766493012"},{"product_id":"mule-mavis-resonator","title":"Mule Mavis Resonator","description":"\u003cp data-start=\"340\" data-end=\"819\"\u003eA superb example of Mule resophonics Mavis model in its highest-spec configuration! A striking example of contemporary resonator design, blending the raw expressiveness of a resonator guitar with the playability and aesthetic refinement of a modern boutique instrument. Handmade by\u003cstrong\u003e \u003c\/strong\u003eMule Resophonic Guitars in Michigan, this Mavis features a carefully considered roasted wood body and an array of thoughtful premium upgrades that set it apart visually and sonically.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"821\" data-end=\"1275\"\u003eVisually, the guitar is defined by its flame maple top and flame maple neck, a cutaway for upper-fret access, and a full Italian tortoiseshell control plate, giving it a presence that sits somewhere between classic Americana and a top tier hand crafted contemporary instrument. \u003c\/p\u003e\n\u003cp data-start=\"1277\" data-end=\"1736\"\u003eUnderneath its surface, the Mavis combines a single-cone resonator system with resonant body construction that delivers a characterful and robust sound offering excellent\u003cstrong data-start=\"1527\" data-end=\"1589\"\u003e \u003c\/strong\u003evolume and resonance, with a sonic personality that speaks to both blues and roots traditions as well as contemporary expression.\u003c\/p\u003e\n\u003cp data-start=\"1738\" data-end=\"2258\"\u003eThe neck profile feels intuitive in the hand, while the balanced layout of controls offers flexibility when amplified. Tonally it inhabits a unique sonic space: it can deliver clarity and rich mid-range on clean passages, or a gutsier, more driven character when pushed, all while retaining that resonant, dynamic response that defines resonator-based instruments.\u003cspan class=\"\" data-state=\"closed\"\u003e\u003cspan class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\" data-testid=\"webpage-citation-pill\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"2260\" data-end=\"2663\"\u003eUnlike traditional metal-bodied National-style resonators that can feel heavy and niche, the Mavis is engineered to be a\u003cstrong\u003e \u003c\/strong\u003eversatile playing tool. Its design philosophy, as reflected in player reviews, emphasises a resonator voice that is alive under the fingers whether fingerpicked, played with a slide, or amplified, and not pigeonholed into a single style.\u003c\/p\u003e\n\u003cp data-start=\"2665\" data-end=\"3076\"\u003eTogether with its\u003cstrong\u003e \u003c\/strong\u003eoriginal hardshell case and thoughtfully selected premium options (flame maple top and neck, cutaway for upper access, full tort control plate, and fitted volume\/tone controls) this Mavis represents the very top end of Mule’s lexicon: a resonator that sounds as inspiring as it looks and invites creative exploration across genres and playing techniques.\u003c\/p\u003e","brand":"Mule","offers":[{"title":"Default Title","offer_id":52688343761235,"sku":null,"price":3650.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/Mulemavisresonator-2.jpg?v=1766239212"},{"product_id":"mule-tricone-resonator","title":"Mule Tricone Resonator","description":"\u003cp data-end=\"2054\" data-start=\"1679\"\u003eThis Mule Tricone Resonator in raw steel finish is a striking, hand-made resophonic instrument that delivers both exceptional acoustic voice and artisan build quality. Crafted by Mule Resophonic Guitars in Saginaw, Michigan, this resonator showcases the brand’s dedication to tonal depth, expressive dynamics and thoughtful construction.\u003c\/p\u003e\n\u003cp data-end=\"2424\" data-start=\"2056\"\u003eThe all-steel body with raw finish gives this guitar a bold visual identity and a naturally resonant acoustic character. Underneath the top sits a\u003cstrong\u003e \u003c\/strong\u003etricone resonator system, which produces a rich, complex sound with extended sustain, layered overtones and sensitivity to touch, from gentle fingerstyle to assertive slide work.\u003cspan data-state=\"closed\" class=\"\"\u003e\u003cspan data-testid=\"webpage-citation-pill\" class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"2873\" data-start=\"2426\"\u003eScale length is a resonator-standard\u003cstrong\u003e \u003c\/strong\u003e25 inches, paired with a nut width around 1.75 inches and a comfortable ~20\" fingerboard radius on its Ebony fretboard, offering a familiar feel for both acoustic and resonator players alike. The neck is typically torrefied maple with internal reinforcement, a combination that yields pleasing response and stability without sacrificing warmth or playability.\u003cspan data-state=\"closed\" class=\"\"\u003e\u003cspan data-testid=\"webpage-citation-pill\" class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"3260\" data-start=\"2875\"\u003eTonewoods and hardware have been chosen to complement the resonator system: the raw steel body enhances projection, volume and character, while the ebony fingerboard and V profile neck neck are a joy to play. \u003c\/p\u003e\n\u003cp data-end=\"3606\" data-start=\"3262\"\u003eIn play, this Mule Tricone strikes a compelling balance of classic resonator personality and modern instrument refinement. It’s capable of sweet, singing tones with harmonic richness as well as gritty, gutsy attack when pushed, making it a versatile choice for blues, roots, folk and slide styles.\u003cspan data-state=\"closed\" class=\"\"\u003e\u003cspan data-testid=\"webpage-citation-pill\" class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"3928\" data-start=\"3608\"\u003eWhether you’re exploring resonator sound for the first time or adding a high-end, hand-crafted steel resophonic to your collection, this Mule Tricone embodies both acoustic authenticity and thoughtful luthiery, an instrument that feels as rewarding to play as it does to look at.\u003c\/p\u003e","brand":"Mule","offers":[{"title":"Default Title","offer_id":52688343859539,"sku":"862","price":3595.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/Muletriconeresonator-5.jpg?v=1766236384"},{"product_id":"1956-gibson-lg-2-sunburst-ex-martin-barre","title":"1956 Gibson LG-2 3\/4, Sunburst, Ex-Martin Barre","description":"\u003cp data-end=\"367\" data-start=\"0\"\u003eA very cool 1956 Gibson LG-2 ¾, formerly owned by Martin Barre of Jethro Tull, complete with its original Gibson crocodile card case. Gibson’s three-quarter-size flat-tops are far less commonly seen than their full-size counterparts and offer a distinctive combination of vintage tone, compact feel and quirky mid-century Gibson design.\u003c\/p\u003e\n\u003cp data-end=\"979\" data-start=\"369\"\u003eThe LG-2 ¾ model was introduced in 1949 as a scaled-down version of Gibson’s popular LG flat-tops. Measuring approximately 12¾ inches across the lower bout with a 22¾\" scale length, these guitars feature mahogany back and sides paired with a spruce top, producing a lively, woody response with plenty of boxy midrange character. Unlike the larger LG-2, the three-quarter model utilised ladder bracing, giving it a slightly more direct and punchy tonal character that suits fingerstyle playing particularly well.\u003c\/p\u003e\n\u003cp data-end=\"1474\" data-start=\"981\"\u003eThis 1956 example is finished in Gibson’s classic sunburst. The body retains its original finish, which has aged attractively over the decades. The spruce top is fitted with the correct teardrop tortoiseshell pickguard, the mahogany back and sides are paired with a mahogany neck and rosewood fingerboard with pearl dot inlays, giving the guitar the familiar Gibson LG look of the period.\u003c\/p\u003e\n\u003cp data-end=\"1894\" data-start=\"1476\"\u003eHardware includes the correct rosewood bridge with pearl dots, fitted with a fixed saddle and white bridge pins with black dots. The headstock carries the traditional Gibson silkscreen logo, the tuners are replacement Kluson Deluxe. As is often the case with well-played vintage acoustics, this guitar shows signs of honest maintenance and repair during its lifetime. The headstock features a non-factory 'stinger' having suffered a break in the past. The repair is good and the finish work is limited to the stinger area only. The guitar has been refretted, the nut replaced, and there is visible play wear on the back. Structurally the guitar is solid and presents as a lively and usable vintage instrument.\u003c\/p\u003e\n\u003cp data-end=\"2730\" data-start=\"2510\"\u003eThe neck itself is quite distinctive, with a relatively slim nut width but a chunky, rounded profile, giving it a comfortable and substantial feel in the hand despite the smaller overall dimensions of the instrument.\u003c\/p\u003e\n\u003cp data-end=\"2990\" data-start=\"2732\"\u003eThis guitar has a wonderfully intimate voice, the ladder-bracing, and tonewoods offer a particularly charming vintage tone that is dry, woody and responsive, with a strong harmonic fundamental, punchy midrange and sweet highs that works beautifully for blues, folk and fingerstyle playing.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"3233\" data-start=\"2992\"\u003eOverall this is a very cool, rare and unusual vintage Gibson that offers both historical interest and plenty of musical character, not to mention the artist owned provenance. Comes complete with the correct 'croc' case. \u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":53268228800851,"sku":"V8690 8","price":2995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1957GibsonLG-2Sunburst-3.jpg?v=1773312209"},{"product_id":"c-1947-gibson-lg-2h-sunburst","title":"c.1947 Gibson LG-2H, Sunburst","description":"\u003cp data-start=\"54\" data-end=\"682\"\u003eThe Gibson LG-2 is one of those models that seems to hit a particular sweet spot in the vintage acoustic world, combining Gibson’s warm, woody, small-body voice with a dry, responsive character and X-bracing for harmonic richness.\u003c\/p\u003e\n\u003cp data-start=\"54\" data-end=\"682\"\u003eBeing an LG-2H this example is the Hawaiian equivalent, and would have left the factory with a square neck. As part of it's original spec, it features a 12-fret neck join with the bridge positioned further down the body compared to a typical LG-2. This shift has a noticeable impact on the way the guitar responds, placing the soundhole closer to the centre of the string’s vibration. The result is a slightly different tonal character, with increased volume, rich overtones and a lively, open response that really helps it project. This is aided by the heavier X-bracing and reinforced Maple bridge plate of the Hawaiian model for a more robust setup compared to the standard model.\u003c\/p\u003e\n\u003cp data-start=\"1307\" data-end=\"1916\"\u003eAs part of the conversion the neck has been shaved and re-profiled. It has a wide nut of 47mm perfect for players liking wide string spacing. It has a fairly big V profile neck, frets have been added and retain plenty of height, and the nut has been changed as part of the conversion process. While this clearly moves it away from collector-grade originality, it gives the instrument a second life, perfect for a player looking for old wood, vintage Gibson tone and something with a slightly different spec from the regular model line-up of the period. \u003c\/p\u003e\n\u003cp data-start=\"1307\" data-end=\"1916\"\u003eThere is a replacement bridge fitted, and the guitar shows a couple of top cracks: one to the bass side of the bridge near the low E string, and another to the treble side by the pickguard, consistent with age-related shrinkage. Tuners are later double-line Kluson three-a-side. \u003c\/p\u003e\n\u003cp data-start=\"2328\" data-end=\"2644\"\u003eFor someone after an unusual ’40s Gibson flat-top with a bit of history and a lot of personality, this 40s LG-2H conversion makes a great deal of sense! Comes with a non-original soft shell case.\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":53280720191827,"sku":"1939 5","price":2995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1947GibsonHG-00Sunburst.jpg?v=1773163605"},{"product_id":"1951-martin-00-18-copy","title":"1951 Martin 00-18","description":"\u003cp data-start=\"109\" data-end=\"293\"\u003eA lovely example of a post-war 00-18, this 1951 build is incredibly lightweight, responsive and dynamic.\u003c\/p\u003e\n\u003cp data-start=\"295\" data-end=\"720\"\u003eConstructed with a solid Sitka spruce top and mahogany back and sides, this 00-18 delivers a beautifully balanced voice. There’s a dry, woody fundamental with a clear, focused midrange and a sweet, open top end and the smaller 00 body size makes for an incredibly immediate and intimate playing experience, equally at home with fingerstyle, flatpicking or strumming.\u003c\/p\u003e\n\u003cp data-start=\"1035\" data-end=\"1293\"\u003ePresented in very good condition for its age, this guitar has been well cared for across its 75- year lifetime, with only very light playwear throughout and no sign of any splits, cracks or repairs. \u003cmeta charset=\"utf-8\"\u003eThe neck has a comfortable, effortless feeling medium-C profile with a hint of V that thickens nicely towards the body. The frets appear original as does the nut. The bridge saddle has split between the D and G strings, however remains fully functional and with room left for height adjustment. The current action is however very comfortable, and plays very easily across the whole neck. \u003c\/p\u003e\n\u003cp data-start=\"1035\" data-end=\"1293\"\u003e\u003cmeta charset=\"utf-8\"\u003eAs expected, it’s an extremely resonant instrument, with a lively response that rewards a nuanced touch. There is a really pleasant, dry growl to the lower mids that balances perfectly with the top end. One of the reasons we love a Spruce\/Mahogany small bodied Martins! Put simply this is one of the nicer examples we've heard, and it has proven a difficult instrument to put down among staff members! \u003c\/p\u003e\n\u003cp data-start=\"1035\" data-end=\"1293\"\u003eA superb, well looked after example that is guaranteed to put a smile on your face!\u003c\/p\u003e","brand":"Martin","offers":[{"title":"Default Title","offer_id":53480661614931,"sku":"118389","price":6495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1951Martin00-18-6.jpg?v=1774877463"},{"product_id":"1925-gibson-l-1-sunburst","title":"1925 Gibson L-1, Sunburst","description":"\u003cp data-start=\"0\" data-end=\"687\"\u003eA stunning example and an increasingly hard to find piece of Gibson’s pre-war acoustic history, this 1925 L-1 comes from the final year of the original round-soundhole archtop L-1 before the model was discontinued. Introduced in 1902, the L-1 began life as one of Gibson’s earliest archtop acoustic designs, and by the 1920s had evolved into the elegant small-bodied format seen here, with its carved Spruce top with round soundhole and 13 1\/2\" concert-size Birch body with archback. This example is in excellent condition, finished in a lovely wide sunburst with stained back and sides and all the character you’d hope to see from a well-preserved 1920s Gibson.\u003c\/p\u003e\n\u003cp data-start=\"689\" data-end=\"1265\"\u003eThe neck has a notably large, chunky V profile that feels substantial in the hand typical of this era. It measures 43.5mm at the nut, with a depth of 25.5mm at the 1st fret and a full 31.2mm by the 10th, so there is no shortage of wood here! The ebony board is punctuated with dot inlays, with the frets showing only light wear overall. Action is presently around 3.5mm on the high E and 2.5mm on the low E at the 12th fret.\u003c\/p\u003e\n\u003cp data-start=\"1267\" data-end=\"1826\"\u003eCosmetically, it is a very honest guitar that presents very well for its age. There is light checking throughout, some light play wear and dings to the top, light buckle scratching to the back, and the expected small dings and scuffs to the neck but overall it remains in excellent condition. Hardware is in good order, and it comes housed in its original hard case.\u003c\/p\u003e\n\u003cp data-start=\"1828\" data-end=\"2349\"\u003eOne especially interesting feature is the plaque on the headstock inscribed “Gibson Guitar Made for Ken Kapua, Birmingham.” Ken Kapua, also known as Ken Reese, was active as a steel guitarist in England from the late 1920s into the mid-1930s, and is noted for his 1933 article “Joseph Kekuku, The Originator of the Hawaiian Guitar,” published in Banjo, Mandolin and Guitar Magazine. A nice layer of period interest and a nice link to the early Hawaiian and steel guitar scene.\u003c\/p\u003e\n\u003cp data-start=\"2351\" data-end=\"2915\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eSound wise, it has the dry, direct voice you would expect from a small-bodied Gibson archtop of this period, with a fast response, a pleasingly focused midrange and a lot of volume! For the player or collector after an early Gibson acoustic archtop in stunning condition with loads of charm and some good provenance, this is a very appealing example!\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":53509599592787,"sku":"81674","price":3995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1925gibsonL-5Sunburstextra.jpg?v=1775560862"},{"product_id":"1936-gibson-super-400-sunburst","title":"1936 Gibson Super 400, Sunburst","description":"\u003cp id=\"isPasted\"\u003e\u003cspan\u003eGibson, struggling financially and feeling the pressure from Epiphone’s Masterbilt series, rolled the dice in 1935 with their latest offering the Super 400. 18” body and elaborately adorned, this superseded the L5 as their flagship model. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis guitar is in great condition. Exquisitely finished as you expect from Gibson's flagship model, there is no sign of any fading or excessive wear. The woods used are stunning, Spruce top with fiddleback maple back and sides gives this guitar a premium look.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNeck is in equally stunning condition. Flamed maple and walnut construction, combined with the decadent inlay finished to Gibson’s high standard is a joy to play. The ebony fretboard is free of wear and there's plenty of life left in the original frets. The original Grover G-98 tuners are still present.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis one has been darkened inside under the f holes which was sometimes done to avoid camera white-outs during close up shots with old b\u0026amp;w tube cameras. Unfortunately this has also obscured the white label on the inside.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe original marbled pickguard is still present almost in defiance of its age. Elsewhere the hardware is in equally good condition, finely engraved. This was one of the last Gibson's to have the nice script logo before they changed over to the one you see today later in 1946.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe guitar comes with its premium leather, or pig skin as some people refer to it as, hardshell case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs with the L5, the reputation of these was built on being able to keep up with a horn section and this one is no exception. It has an authoritative voice acoustically that has a wonderful three dimensional quality that's translated well when amplified.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA premium archtop with tone to match, the pinnacle of any guitar collection.\u003c\/span\u003e\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":53509602541907,"sku":"??????","price":9995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1946GibsonSuper400sunburst-4.jpg?v=1775557938"},{"product_id":"2013-gibson-j-45-sunburst","title":"2013 Gibson J-45, Sunburst","description":"\u003cp data-start=\"0\" data-end=\"353\"\u003eA super clean 2013 Gibson Custom Shop J-45, finished in Vintage Cherry Sunburst and built in Bozeman, Montana. Gibson’s slope-shouldered dreadnought is one of those designs that needs little introduction, and this is a beautifully executed modern Custom Shop example with all the warmth, balance and familiarity you would hope for from a good J-45.\u003c\/p\u003e\n\u003cp data-start=\"355\" data-end=\"858\"\u003eThe gloss nitrocellulose Vintage Cherry Sunburst finish sits over a Sitka spruce top, paired with mahogany back and sides for that classic Gibson acoustic recipe. It is a combination that gives the guitar plenty of fundamental warmth and midrange character, with a clear, open response that works equally well for strummed chords, flatpicking or more relaxed fingerstyle playing. It feels lively without being overly bright, with the dry, woody quality that has made the J-45 such an enduring favourite.\u003c\/p\u003e\n\u003cp data-start=\"860\" data-end=\"1222\"\u003eThe mahogany neck has a rosewood fingerboard with simple pearloid dot inlays, a 24.75\" scale length and traditional nut width, keeping it firmly in familiar Gibson territory. It has that comfortable, easy-going acoustic feel that makes these guitars so instantly approachable, with enough substance in the hand to feel reassuring without feeling cumbersome.\u003c\/p\u003e\n\u003cp data-start=\"1653\" data-end=\"1895\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eOverall, this is a superb modern Gibson acoustic: clean, resonant and very easy to live with. A great choice for anyone after a high-quality J-45 with classic looks, Custom Shop build quality and that unmistakable Gibson slope-shoulder voice.\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":53689167216979,"sku":"10773010","price":2995.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/2013GibsonJ-45_Sunburst-6.jpg?v=1777461054"},{"product_id":"1989-martin-d-35p","title":"1989 Martin D-35P","description":"\u003cp data-end=\"220\" data-start=\"23\"\u003eA lovely late-’80s example of the classic D-35, offering all the tonal characteristics that have made the model a longstanding favourite amongst the Martin catalogue, with some choice alterations for easier playability\u003c\/p\u003e\n\u003cp data-end=\"220\" data-start=\"23\"\u003eConstructed with a solid Sitka spruce top and East Indian rosewood back and sides, the D-35P delivers the classic D-35 tone, meaning strong bass response, woody mids and bright trebles. The three-piece rosewood back gives the guitar its distinctive look, while also contributing to the balanced, well-rounded tone associated with the model.\u003c\/p\u003e\n\u003cp data-end=\"941\" data-start=\"574\"\u003eThe “P” designation denotes Martin’s Low Profile neck carve, giving the guitar a slimmer, more streamlined feel in the hand compared to earlier chunkier profiles. The fretboard is a beautifully dark ebony, with pearloid dots for that classic aesthetic and beautifully smooth playing feel.\u003c\/p\u003e\n\u003cp data-end=\"1393\" data-start=\"1083\"\u003ePresented in very good condition overall, with light signs of normal usage. Like many Martins from the late ’80s and early ’90s, there is some binding separation present to the rear of the upper bout caused by shrinkage. Aside from this, there are no other structural issues.\u003c\/p\u003e\n\u003cp data-end=\"1393\" data-start=\"1083\"\u003ePresented in it's original moulded ABS case with documentation, this is a very tidy \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eC.F. Martin \u0026amp; Co.\u003c\/span\u003e\u003c\/span\u003e dreadnought, perfect for those looking for the D-35 tone in a guitar with some age to it and with a more ergonomic feel.\u003c\/p\u003e","brand":"Martin","offers":[{"title":"Default Title","offer_id":53786288521555,"sku":"490031","price":2250.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1988MartinD-35-8.jpg?v=1778513931"},{"product_id":"2016-gibson-custom-1938-reissue-sj-200-sunburst","title":"2016 Gibson Custom 1938 Reissue SJ-200, Sunburst","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA superb 2016 Gibson Custom 1938 Reissue SJ-200, finished in classic Sunburst. A fantastic reissue of Gibson’s most celebrated jumbo acoustic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFirst introduced in the late 1930s as Gibson’s top-of-the-line flat-top, the SJ-200 was an instrument built in very limited numbers for serious performers and TV stars. The design was big, bold, beautifully appointed and grand. The earlier examples were built with Rosewood back and sides, giving them a slightly different voice to their Maple successors with a richer, deeper and more complex tonal character. \u003c\/span\u003e\u003cspan\u003ePaired with the large Super Jumbo body, it produces a huge, open voice with plenty of projection, but there is also a lovely sweetness and complexity to the tone. It has the power and headroom for big, full-bodied strumming, yet responds beautifully to a lighter touch, with enough clarity and separation to make it a very rewarding fingerstyle guitar too.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eVisually, it is every inch the \"King of the Flat-Tops.\" The Sunburst finish is beautifully executed, with a rich amber centre fading into the darker perimeter, giving the guitar a wonderfully vintage look. The large body, open moustache bridge, gold Grover Imperial tuners, decorative pickguard and high-end appointments adding up to a fantastic looking, classy instrument. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe neck has a comfortable feel, with a D profile substantial enough to suit the character of the guitar without feeling cumbersome. It plays very well across the board. Dig in and it delivers a huge, piano-like acoustic voice; play with a softer touch and the rosewood body brings out a lovely warmth and harmonic richness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition is very good overall, with only light signs of careful use and no issues affecting playability or performance. \u003c\/span\u003e\u003cspan\u003eA wonderful recreation of Gibson’s pre-war flagship acoustic\u003c\/span\u003e,\u003cspan\u003e complete with its original hard case.\u003c\/span\u003e\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":54097760289107,"sku":"11756052","price":4195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/2016SJ200-6.jpg?v=1779287290"},{"product_id":"1959-gibson-lg-3-natural","title":"1959 Gibson LG-3, Natural","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA wonderful 1959 Gibson LG-3, finished in Natural and presented in excellent, clean and crack-free condition. It's hard to imagine a nicer example!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe LG-3 is one of Gibson’s most loved small-bodied flat-tops, offering the same compact, comfortable feel and dry, immediate response associated with the LG-2, but with a natural spruce top.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis is a particularly clean and attractive example, with no cracks and a very tidy overall appearance. The Natural finish suits the guitar beautifully, showing off the tight grained spruce top nicely, while the mahogany back and sides provide the earthy midrange and focused projection these X-braced small-bodied Gibsons are known for. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe neck is very comfortable, with a nut width of 42.5mm and a rounded profile measuring 23.1mm deep at the 1st fret and 25.2mm at the 10th. It feels substantial enough in the hand without being oversized, making it a very easy guitar to settle into. The saddle height remains healthy, measuring 5mm on the bass side and 3mm on the treble side, with the action currently sitting at 3.5mm on the bass side and 2.5mm on the treble at the 12th fret.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTonally, this is a lovely LG-3. It has a bright, earthy voice with plenty of immediacy and note separation, making it particularly rewarding for fingerstyle playing. There is that classic Gibson dryness to the attack, with enough warmth and body to keep things full and musical without ever becoming overly boomy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOverall, this is a very clean, crack-free late-’50s LG-3 with a great neck, strong saddle height and a really characterful voice. A superb small-bodied vintage Gibson acoustic, and one that would make a fantastic player’s guitar for anyone after a bright, articulate and inspiring fingerstyle instrument.\u003c\/span\u003e\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":54097783619923,"sku":"S8287","price":4495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1959GibsonLG-3-4.jpg?v=1782315527"},{"product_id":"1963-gibson-j-45-neil-kendrick-retop","title":"1963 Gibson J-45, Neil Kendrick Re-Top, Sunburst","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA fantastic c.1963 Gibson J-45, finished in Cherry Sunburst and professionally re-topped with an Adirondack Spruce top and Adirondack bracing by US luthier Neil Kendrick.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Gibson J-45 is one of the great workhorse acoustics. Introduced in the early 1940s, it quickly became a staple for players who wanted a slope-shouldered dreadnought with warmth, punch and volume with that Mahogany, dry Gibson character. By the early 1960s, the J-45 had developed into one of Gibson’s most recognisable flat-tops.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis example has had significant but very worthwhile work carried out, including a replacement Adirondack spruce top with matching Adirondack bracing, a neck reset and replacement bridge and saddle. The top is pencil signed N.B. Kendrick, understood to be Neil Kendrick, and the quality of the work is immediately apparent. It has also been refretted and the nut changed, while retaining the correct single-line Kluson tuners.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe neck has a comfortable medium C profile, measuring 43mm at the nut, with a depth of 21.5mm at the 1st fret and 24.1mm at the 10th fret. It feels familiar and very playable, with the reset and refret making this a particularly usable vintage acoustic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCosmetically, the guitar presents very well, with the Cherry Sunburst finish very vibrant. There is some wear to the headstock tip, but overall it's in very good condition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTonally, this is a really rewarding guitar. It has a lovely, slightly ‘boxy’ Gibson midrange, with a sweet top end and plenty of ring making it especially good as a strummer with a pleasing balance across the strings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOverall a very good player-grade vintage J-45 with some high quality restoration work, excellent tone and plenty of real-world usability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComplete with its original orange-lined hard case.\u003c\/span\u003e\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":54141493182803,"sku":"108527","price":3495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1963J-45Retop-4.jpg?v=1782983430"},{"product_id":"1965-martin-000-18","title":"1965 Martin 000-18","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA lovely 1965 Martin 000-18, offering the classic spruce and mahogany Martin voice in a comfortable, beautifully balanced 000 body size.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe 000-18 has long been one of Martin’s great understated models, pairing a spruce top with mahogany back and sides for a clear, dry and articulate tone. It is a wonderfully versatile instrument: smaller and more waisted than a dreadnought, but still with plenty of projection and headroom when played with a little more intent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOverall this is a very clean example, with a beautiful tight-grained spruce top, mahogany back and sides, tortoiseshell body binding to the front and back, an unbound fingerboard with dot markers, the correct tortoiseshell pickguard, and correct Grover Sta-Tite tuners. As is common with these, there is a top crack from pickguard shrinkage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe neck is really comfortable, measuring 43.3mm at the nut, with a depth of 21.1mm at the 1st fret and 24.8mm at the 10th. The original frets and nut remain, it's had a compensated saddle fitted, and intonation is good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe saddle height is currently around 1mm. The action is playable as it stands, though the guitar would benefit from a neck reset in the future, which we can arrange if the buyer would like.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTonally, this is exactly the kind of sound you hope for from a good ’60s 000-18: it has a clarity and warmth, with excellent note separation and a lovely dry mahogany character. It works beautifully for fingerstyle, strumming and more nuanced playing, with that direct, vintage mahogany growl when you dig in. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA very nice example all round, and a guitar that is difficult to put down! \u003c\/span\u003e\u003cspan\u003eComes with a non-original hard shell case. \u003c\/span\u003e\u003c\/p\u003e","brand":"Martin","offers":[{"title":"Default Title","offer_id":54316810305875,"sku":"205054","price":5750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1965Martin000-18-6.jpg?v=1784131503"},{"product_id":"1969-martin-d-28","title":"1969 Martin D-28","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eA superb 1969 Martin D-28 offering all the classic dreadnought power and depth that has made the model such a benchmark acoustic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe D-28 is one of Martin’s most iconic designs, pairing a spruce top with rosewood back and sides for a big, clear and harmonically rich voice. \u003cmeta charset=\"utf-8\"\u003eIt has the familiar late-’60s Martin spec with Grover tuners and a black pickguard, Ebony bridge and fingerboard with a Rosewood bridge plate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe guitar had a neck reset and refret back in 2015 by\u003c\/span\u003e\u003cspan\u003e Dave King, and the geomertry of the instrument remains excellent with a saddle height of 3.5mm and an action at the 12th fret of 2.5mm on the bass side and 3mm on the treble.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe main condition point to note is a rim crack to the lower bout. Otherwise, it has the honest look and feel of a well-kept vintage dreadnought, with plenty of character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe neck is comfortable and familiar, measuring 42.6mm at the nut, with a depth of 22.3mm at the 1st fret and 24.6mm at the 9th. It has a really comfortable soft V profile that sits very naturally in the hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTonally, this is exactly the sort of thing you hope for from a good D-28: a clear top end, rich rosewood depth and plenty of projection. It has the authority for flatpicking and strumming, and it also responds well to a lighter touch and fingerstyle playing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOverall a very good example that's had all of the important maintenance work done, ready for the new owner to enjoy for decades to come!\u003c\/span\u003e\u003c\/p\u003e","brand":"Martin","offers":[{"title":"Default Title","offer_id":54316823183699,"sku":"242493","price":7650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/1969MartinD-28-6.jpg?v=1784130364"},{"product_id":"2010-gibson-custom-sj-200-custom-rosewood-sunburst","title":"2010 Gibson Custom SJ-200 Custom, Rosewood, Sunburst","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAn outstanding 2010 Gibson SJ-200 Custom, with rosewood back and sides, and an Ebony fingerboard.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe SJ-200 is one of Gibson’s most iconic acoustic models, known for its big body, bold looks and big stage presence. This Montana-built Custom example takes that classic format and dresses it up beautifully, with high-end appointments, pearl embellishment and excellent tonewoods. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis example is in excellent order and all appears stock. The Sunburst finish suits the model perfectly, highlighting the tight-grained Spruce top and ornate detailing. The rosewood back and sides give the guitar a slightly richer and more complex character than the more familiar maple-bodied SJ-200s, while retaining the big, open Super Jumbo voice and volume these guitars are known for.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe medium C profile neck feels comfortable and familiar, with the easy playability you would expect from a modern Gibson acoustic. The large body gives plenty of power and projection, but the guitar remains responsive and enjoyable whether used for big open chords or more dynamic fingerstyle work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHardware includes Grover Imperial tuners, which suit the high-end Custom aesthetic perfectly. The guitar is also fitted with a Fishman Ellipse Aura pickup system, making it a very practical stage instrument too.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eTonally, the rosewood SJ-200 format offers plenty of depth, power and sustain, with a full low end, clear top and a rich, piano-like character. It has the size and volume you want from an SJ-200, but with a little extra warmth and overtone content from the rosewood back and sides.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll in all this is a beautifully appointed Montana-built Gibson SJ-200 Customin excellent condition, complete with its original case and Gibson strap.\u003c\/span\u003e\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":54316843368787,"sku":"11170020","price":4250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0917\/7258\/4275\/files\/2010GibsonSJ-200_Sunburst-7.jpg?v=1784193038"}],"url":"https:\/\/www.atbguitars.com\/collections\/all-acoustics.oembed?page=2","provider":"ATB Guitars","version":"1.0","type":"link"}