Always pushing the envelope, Beetronics have excelled themselves with this latest offering, THE ZZOMBEE.

Packing Filter, Wah, LFO, Randomized Filter, Tremolo, Swells, Overdrive, Fuzz, Low-Octave and the never-before-heard honey-patented Cross Tremolo (a unique tremolo that pulses between the fundamental and a low octave), this is another unique offering from the Californian wizards that is sure to take you pedalboard to the next level.

A word from the manufacturer…

THE ZZOMBEE “FILTREMULATOR” IS A ONE OF A KIND ANALOG MULTI EFFECT THAT DELIVERS FILTER, WAH, LFO, RANDOMIZED FILTER, TREMOLO, SWELLS, OVERDRIVE, FUZZ, LOW-OCTAVE AND THE NEVER BEEFORE HEARD HONEY PATENTED CROSS TREMOLO, A VERY UNIQUE KIND OF TREMOLO THAT PULSES BETWEEN THE FUNDAMENTAL AND A LOW OCTAVE.

ITS UNBEELIAVABLE ANALOG TONES ARE ENHANCED BY AN INNOVATIVE WAY OF RAMPING AND CONTROLLING MODULATION MOVEMENTS THAT USES A MOMENTARY FOOTSWITCH IN THE MOST MUSICAL WAYS. THESE CONTROLS MAKE THE PEDAL AN EXTENSION OF YOUR INSTRUMENT, BEECOMING AN ESSENTIAL TOOL TO EXPAND YOUR CREATIVITY.

THE SOUNDS FOUND IN THE ZZOMBEE ARE VERY UNIQUE AND WOULD REQUIRE A VERY COMPLEX RIG TO BE RECREATED. THATS BECAUSE THE INSTRUMENT SIGNAL GETS A 4 STAGE GAIN BUZZ SELECTION AND RUNS IN PARALLEL TO A MONOPHONIC LOW OCTAVE BEEAST, IN THE MOST BEETRONICAL STYLE. THE FILTER CAN BE APPLIED TO EITHER OF THESE WITH THE OTHER REMAINING UNTOUCHED.

THREE MODES OF MODULATED FILTER CAN CREATE WAH-LIKE EFFECTS (THAT WILL MAKE YOU WANNA DITCH YOUR OLD BULKY WAH PEDAL), HONEY WAVES OF LFO OR OVER FIFTY THOUSAND VERY MUSICAL RANDOM PATTERNS. THREE MODES OF MODULATED AMPLITUDE CAN CREATE THE CROSS-TREMOLO, TRADITIONAL TREMOLO OR VOLUME SWELLS.

TO TOP IT OFF, THIS ANALOG BEE IS DIGITALLY PARASITIZED AND INCLUDES TAP-TEMPO FUNCTION, CV CONTROL, EXTERNAL TAP, EXPRESSION OUT AND CAN SAVE PRESETS.

WE KNOW YOU GOT STUNG AND THERE’S NO WAY BACK FROM BEECOMING A ZZOMBEE.

WELCOME TO THE HIVE!

Key Features

• Analog multi-effect pedal with digital control.
• Filter, Wah, LFO, Randomized Filter, Cross-Tremolo, Tremolo, Swell, Overdrive, Fuzz, Low-Octave & more.
• Monophonic low-octave version of instrument signal runs in parallel.
• Instrument signal can go from dry to fuzz (4 gain stages available).
• Mix instrument and low-octave-signals via “Bee” and “Parasite” controls.
• 3 modes of modulated filter: Ramp, LFO, Mad (random patterns).
• 3 models of modulated amplitude: Cross-Tremolo, Traditional Tremolo, Volume Swells.
• Filter and amplitude modulation can either work on instrument or low-octave-signal.
• Control ramping and modulation movements via built-in momentary footswitch.
• Cross-Tremolo alternates between instrument signal and low-octave.
• Equally usable for traditional and highly experimental sounds.
• Works great on bass and keys.
• Switch between Live and Preset mode.
• Store and recall 5 presets.
• Expression pedal and external tap input.